Two letters from Margaret Nash to the Editor, Manchester Guardian, two replies from M.A.L. and A.P. (Wadsworth), Manchester Guardian, regarding the use of a photograph of Paul Nash taken by the paper on the cover of 'Aerial Flowers'.

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Archive Record|Table of contents

Correspondence and papers of Paul Nash and his wife MargaretTGA 7050

Pencil and watercolour sketches of townscapes and tanks with envelope marked "Worcester College Panel" in Paul Nash's handTGA 7050/1

Draft for 'Outline', Nash's autobiography in Nash's hand and typescriptTGA 7050/2

Folder containing sheets inscribed in Paul Nash's hand and pictures of his work, headed 'Paul's selection for review of his work originaly planned to be done with Conrad Senat'TGA 7050/3

Introduction, outline and drafts for 'ROOM AND BOOK', not including "The Modern Aesthetic"TGA 7050/3(I)

Two proof copies of 'ROOM AND BOOK' with illustrationsTGA 7050/3(II)

'Going Modern and Being British', a draft article by Paul NashTGA 7050/3(III)

Three black and white photographs of Kelmscott Manor, mounted and with inscription by NashTGA 7050/3(IV)

Article entitled 'The Argument for the Film "Fertile Image"' by Margaret NashTGA 7050/3(IX)

Ten black and white photographs of a young woman from envelope inscribed by Nash - 'Mary Fell', (later Godwin).TGA 7050/3(V)

Black exercise book containing play beginning Act I scene 3 written in Nash's hand, cartoon sketches and Song from the Dream RoomTGA 7050/3(VI)

"Modern English Finishing" printed article by Paul Nash from 'The Architectural Review', January 1930, pp43-48TGA 7050/3(VII)

Short account in unidentified hand, inscribed in pencil "1906".TGA 7050/3(VIII)

Outline for 'ROOM AND BOOK' and draft lecture on patternTGA 7050/3(X)

Article inscribed in pencil "Concerning Architectural Review 124"TGA 7050/3(XI)

Collection of letters concerning Paul Nash's time as an official war artist working for the Air MinistryTGA 7050/4-72

Eight typed letters from Nikolaus Pevsner of the 'Architectural Review', London (letters sent from differing wartime addresses), to Paul NashTGA 7050/73-80

Two letters from Martin Armstrong to Paul Nash, regarding a collaborative project between Armstrong and Nash, and Armstrong's stories 'St. Hercules' and 'The Widow of Ephesus'TGA 7050/81-82

Letter from Victor Bonham-Carter, 'Art & Education' to Paul Nash, regarding an article by Paul Nash entitled 'Landscape of The Megaliths'TGA 7050/83

Two letters from editors of 'Art and Industry' to Paul NashTGA 7050/84-85

Five typed letters with autograph insertions from Alfred Yockney, Director of the Art Exhibitions Bureau, to Paul Nash, regarding touring exhibition 'New Movements in Art', 1942TGA 7050/86-90

Typed letter from Misha Black, Chairman, Central Commitee, Artists International Association, to Paul Nash, inviting him to join the advisory council to the Artists International AssociationTGA 7050/91

Typed letter from Helena Clark, Hon. Sec., Artists International Association, to Paul Nash, with AIA leaflet 'Benefits available to full professional members'TGA 7050/92

Typed letter from Misha Black, Chairman, Artists International Association, with self addressed envelope to Misha Black, inviting Paul Nash to do a painting for a war exhibitionTGA 7050/93

Three letters from Beryl Sinclair to Paul NashTGA 7050/94-96

Typed letters from Carel Weight, Secretary, Artists International Association Travelling Exhibitions, to Paul Nash, regarding paintings for a travelling exhibitionTGA 7050/97

Typed letter from Helen Mary Potter, Secretary, Artists International Association, to Paul NashTGA 7050/98

Typed letter (copy) from the Exhibitions Committee, Artists International Association, signed Russell Reeve, regarding an exhibition for the canteen of the Ministry of Shipping and Economic WarfareTGA 7050/99

Letter from the Secretary of Artists International AssociationTGA 7050/100

Typed letter from Helen Roeder, Secretary of a sub-Committee for future policy, Artists International Association, regarding memorandum on future policyTGA 7050/101

Typed letter from Ewen G. Philips, Artists International Association, inviting Paul Nash to lecture at the National Gallery on 'The Purpose of Art To-Day'TGA 7050/102

Two letters from Beryl Sinclair, Artists International Association, regarding dispersal of the No.2 Travelling ExhibitionTGA 7050/103-104

Typed letter from Misha Black, Chairman, Artists International Association, to Paul NashTGA 7050/105

Letter from Beryl Sinclair, Artists International Association, to Paul Nash, regarding panel Paul Nash was asked to provide for the 'For Freedom' exhibitionTGA 7050/106

Typed letter from Morris Kestelman, Hon. Sec., Artists International Association, to Paul NashTGA 7050/107

Typed letter signed by Richard Carline, Artists International Association, to Paul Nash, regarding scheme to increase mural canteens and decoration in canteens and industrial premisesTGA 7050/108

Two letters from Beryl Sinclair and Margaret Thomas, Artists International Association, to Paul Nash, regarding painting for an exhibition 'This Extraordinary Year 1945'TGA 7050/109-110

Letter from Sylvia Wrangham, Hon. Sec., Artists International Association, to Paul Nash, regarding selection committee for an exhibition of AIA student membersTGA 7050/111

Proposals for future policy of Artists International AssociationTGA 7050/112

Memorandum from Artists International Association, regarding scheme for developing the use of mural decoration in industrial premisesTGA 7050/113

Minutes of meeting about a national scheme for promoting mural decoration in industrial and civic premises, together with a compliment slipTGA 7050/114

Fifteen printed 'Bulletins' of the Artists International AssociationTGA 7050/115

Typed notice regarding date of the Amalgamated Engineering Unions Exhibition from Artists International AssociationTGA 7050/116

Artists International Association Special Announcements for January (1939)TGA 7050/117

Circular letter of the Artists International Association, regarding Amalgamated Engineering Unions exhibitionTGA 7050/118

Extracts from the Constitution of the Artists International Association, with manuscript additionsTGA 7050/119

Twenty five letters concerning the establishment and business of the Arts Bureau in Oxford for War ServiceTGA 7050/120-144

Prospectus, statement (Sept 1939) and report (Nov 1939), of the Arts Bureau in OxfordTGA 7050/145

Statement of accounts of the Arts Bureau in Oxford, 7 Sept 1939 - 5 Feb 1940TGA 7050/146

Lists of literary societies, musicians with addresses and writers of military age (compiled by John Betjeman)TGA 7050/147

Typed letter from Michael Ayrton to Paul Nash, regarding the photographs Nash provided for Ayrton's book "Britain in Pictures"TGA 7050/148

Letter from Jack B[eddington] to Paul Nash, requesting help towards a theatre companyTGA 7050/149

Letter from John B[etjeman] to Paul Nash, regarding William Allingham's diary, and the possibility that Nash may be living in Allinghams old houseTGA 7050/150

Typed letter on behalf of Kenneth Clark to John BetjemanTGA 7050/151

Typed letter from [Paul Nash] to John Betjeman, regarding correspondence with Humbert WolfeTGA 7050/152

Letter from "Sir William Richmond" [John Betjeman] to Paul Nash, enquiring after Nash's healthTGA 7050/153

Typed letter from John [Drinkwater], General Manager, Birmingham Repertory Theatre, to Paul Nash regarding exhibition at the theatreTGA 7050/154

Draft by William Rothenstein of an introduction to a catalogue of a Paul Nash Exhibition at Birmingham Repertory TheatreTGA 7050/155

Letter from Adela [Bluett-Duncan] to Paul Nash, regarding the search for a painting held in storage, and the bombing of LondonTGA 7050/156

Letter from David Bomberg to Paul NashTGA 7050/157

Printed prologue, a poem by Gordon Bottomley, to a performance by Silverdale Village Players, Easter 1922TGA 7050/158

Letter from Gordon Bottomley, the Sheiling, Silverdale, Carnforth, N.Lancashire to Paul NashTGA 7050/158A

Typed letter from James Ross, City Librarian, Bristol Municipal Public Libraries, to Paul NashTGA 7050/159

Three typed letters from Stephen Potter, British Broadcasting Corporation, to Paul NashTGA 7050/160-162

Correspondence from the British Council to Paul NashTGA 7050/163-208

Typed letter from W.E. Williams, Secretary, British Institute of Adult Education, to Paul NashTGA 7050/209

Six letters from the British Institute of Adult Education to Paul Nash regarding works for their 'Art for the People' exhibitionsTGA 7050/210-215

Typed letter from Mrs Alla Weaver, British Institute of Adult EducationTGA 7050/216

Letter from Alan Shorter, Assistant Keeper in the Department of Egyptian and Assyrian Antiquities, British Museum, to Paul Nash, describing a stone hawk sent for analysis by Paul NashTGA 7050/217

Letter from (Col.) Bertie (Buchanan) to Paul Nash, regarding a visit to Oxford and news of acquaintancesTGA 7050/218

Five letters from Curt Valentin, Director, Buchholz Gallery, New York, and one from [?] Ring on Valentin's behalf, regarding Valentin's invitation to Paul Nash to send six watercolours for an exhibition of watercolours by leading English artistsTGA 7050/219-224

Twenty five letters (some incomplete) from Ed[ward Burra] to Paul NashTGA 7050/225-249

Letter from R.E.M. LeGoy, President, Cambridge University Liberal Club, to Paul NashTGA 7050/250

Typed letter (copy) from Paul Nash to R.E.M. LeGoy, President, Cambridge University Liberal Club.TGA 7050/251

Letter from Maurice (Cardiff) to Paul Nash, regarding arranging a meeting between Nash and the Greek artist "Nikos Hadjikiriakos Ghikas"TGA 7050/252

Letter from Maurice (Cardiff) to Paul Nash, regarding Paul Nash's drawings of Blenheim aicraft in the National Gallery, and other artists work in the same exhibitionTGA 7050/253

Six letters from Homer Saint-Guadens and John O'Connor Jr., Director and Acting Director, Carnegie Institute, Pittsburgh to Paul NashTGA 7050/254-259

Two typed letters from Desmond and Newman Flower, Cassell & Co., Ltd, to Paul NashTGA 7050/260-262

Typed letter from National Register of Industrial Art Designers to Paul Nash, fragment onlyTGA 7050/263

Two typed from T.A. Fennemore, Registrar of the National Register of Industrial Art Designers, to Paul NashTGA 7050/264-265

Eight typed letters from or on behalf of T.A. Fennemore, Director, The Central Institute of Art and Design, to Paul NashTGA 7050/266-273

Letter from T.A. Fennemore, Director, Central Institute of Art and Design, to Paul NashTGA 7050/274

Duplicated letter with manuscript insertions from Mary Wilson, Committee for Loan of Works of Art to the R.A.F., Central Institute of Art and Design, to Paul Nash, December 1942, asking Nash to contribute to a small exhibitionTGA 7050/275

Ten letters from T.A. Fennemore, Director, the Central Institute of Art and Design, and one from D. Brown on Fennemore's behalf, to Paul NashTGA 7050/276-286

Thirteen letters from T.A. Fennemore, one from Leonard Greaves on the Chairman's behalf and one from Sir Charles Tennyson, Chairman of the Central Institute of Art and Design, to Paul NashTGA 7050/287-301

Typed letter from (M. Chetham-Strode?), Central Institute of Art and Design, to Paul Nash ("answered" note in unknown hand)TGA 7050/302

Two typed letters from T.A. Fennemore, Central Institute of Art and Design, to Paul Nash ("answered 5/2/45" noted in unknown hand)TGA 7050/303-304

Two letters signed by Leonard Greaves, The Central Institute of Art and Design to Paul Nash, inviting him to send work for an exhibition of flower paintings sponsored by the Cotton BoardTGA 7050/305-306

Typed letter initialled "O.B." on behalf of T.A. Fennemore, Director, Central Institute of Art and Design to Paul Nash, inviting him to present a thankyou gift to Sir Kenneth Clark on behalf of the C.I.A.D.TGA 7050/307

Minutes of the meetings of the Central Institute of Art and DesignTGA 7050/308

Six editions of 'Bulletin' by the Central Institute of Art and DesignTGA 7050/309

Six typed letters from D.W. Herdman, Curator, Cheltenham Art Gallery & Museum, to Paul NashTGA 7050/310-315

Eighteen typed letters to Paul Nash and five typed letters to Conrad Senat, Counterpoint Modern Art Publications, from F.J. Newbery, of the Chiswick PressTGA 7050/316-339

Autograph postcard from R.H. Dundas, Secretary, Christ Church, Oxford, to Paul Nash, informing him of his election as a temporary honourary member of the 'High Table'TGA 7050/340

Letter from Frank Clark to Paul Nash regarding Clark's imminent departure for America and meeting up in LondonTGA 7050/341

Typed letter from Kenneth Clark to Paul Nash regarding Nash's views on the Central Institute of Art and DesignTGA 7050/342

Five typed letters from Kenneth Clark, National Gallery, to Paul NashTGA 7050/343-347

Six letters and one postcard from Kenneth Clark to Paul NashTGA 7050/348-354

Five letters and one postcard from Kenneth Clark, National Gallery, to Paul Nash, and two letters from Jane ClarkTGA 7050/355-362

Two letters from Claude (?) to Paul Nash regarding photographing Nash's work 'Bird Garden' and arrangements to take it to LondonTGA 7050/363-364

Letter from Hilda Cochrane to Paul Nash, regarding contemporary exhibitions and inviting Nash to visitTGA 7050/365

Letter from Ralph Cochrane to Paul Nash providing suggestions and arrangements for Paul Nash's Official War Artist visits to airfields.TGA 7050/366

Typed letter from P.A. Moore, Liason Officer, Exhibitions Division, Comitâe Francais de la Liberation Nationale, to Paul Nash, inviting Nash to contribute to an exhibition 'FRANCE seen by contemporary French and British artists'.TGA 7050/367

Two letters from Ironside, Assistant Secretary, the Contemporary Art Society, to Paul Nash.TGA 7050/368-369

One letter from Paul Nash to Philip James, Director of Art, Council for the Encouragement of Music and the Arts; and three letters from Philip James to Nash.TGA 7050/370-374

Seventeen letters from Philip James, Director of Art, Council for the Encouragement of Music and the Arts, and one from Joan Rodgers, Art Assistant C.E.M.A., and one from Joan Booth, C.E.M.A.TGA 7050/375-395

Eight letters and one postcard, from Philip James, Director of Art, Society for the Encouragement of Music and the Arts, two leters from Hilda Kranz, Treasurer, C.E.M.A., one from Doris Thellusson, Assistant Art Organiser, C.E.M.A, and one from Mrs. K.R. Hyslop, C.E.M.A., to Paul Nash.TGA 7050/396-408

Six letters and one postcard from Philip (James), Director of Art, C.E.M.A., two from Doris Thellusson, Assistant Art Organiser, C.E.M.A. and three from Joan Rodgers, Art Assistant, C.E.M.A. to Paul Nash,TGA 7050/409-423

Twenty letters and two postcards from 'Ronny' Conrad Senat, editor of Counterpoint, to Paul Nash.TGA 7050/424-445

Eight typed letters from Christopher Hussey, 'Country Life' to Paul Nash.TGA 7050/446-456

Letter from Noel Coward to Paul Nash, thanking Nash for his letter and apologising for not being able to get tickets for 'Bitter Sweet'.TGA 7050/457

Ten letters from Jill Craigie to Paul Nash, regarding her film 'Out of Chaos', in which Paul Nash was filmed and provided commentary.TGA 7050/458-470

Press release, directors statement, publicity sheet and presscutting relating to Jill Craigie's film 'Out of Chaos' which includes a sequence on Paul Nash.TGA 7050/471-475

Sixty letters from T.M. Heron, Managing Director, and fifteen from P.T. Davies, Director, Cresta Silks Ltd, to Paul Nash.TGA 7050/476-562

Typed letter, fragment, from (signature torn off, but possibly from John Crow?), Wellington College, Berks, to Paul Nash, thanking Nash for lecturing at the college.TGA 7050/563

Letter from John Crow, Wellington College, Berks, to Paul Nash regarding confusion over a missed telephone call.TGA 7050/564

Eight letters from Oliver Simon and one from Harold Curwen, Director of Curwen Press, to Paul Nash.TGA 7050/565-573

Printed booklet 'Design and Mass Production' by Dr Gregor Paulsson.TGA 7050/574

Prospectus of the Czechoslovak School of Applied Art, Chelsea Polytechnic.TGA 7050/575

Typed letter with autographed conclusion, from Alice (Dalglish) to Paul and Margaret Nash, telling them of her work at the A.R.P. and requesting her 'own picture'.TGA 7050/576

Typed letter from the Zwemmer Gallery to Robert Donat, (buyer of Paul Nash work?), regarding size and mount of Nash picture.TGA 7050/577

Typed letter from Robert (Donat) to Paul Nash, regarding (?) enclosure and 'special orange sqeezer' from Boots.TGA 7050/578

Copy of a typed circular letter with recipient's name and address typed in from Norman Smedley, Curator, Doncaster Art Gallery & Museum, to Paul Nash, inviting him to contribute to their annual exhibition.TGA 7050/579

Two letters from Mary (Eversley Doncaster) to Paul Nash, regarding visiting Nash at Iden, Oxford.TGA 7050/580-581

Two letters and two postcards from (Stefan?), Lindsay Drummond Ltd, to Paul Nash, regarding prints and writings for their publications 'Transformation' and 'Transformation 3'.TGA 7050/582-585

Typed letter from C.V. Mackenzie, Curator, Dudley Municipal Art Gallery, to Paul Nash, thanking him for contributing the 'Two Serpents' in their exhibition, and regretting the committee's non-purchase of it.TGA 7050/586

Letter from T.C. Dugdale to Paul Nash, supporting Nash's article on the Royal Academy in the Central Institute of Art and Design publication 'Bulletin'.TGA 7050/587

Letter from Duncan Grant to Paul Nash, 'Sunday', regarding Paul Nash's 'plan' and possible guarantors and committee members including Clive Bell, Sam Courtauld and William Coldstream.TGA 7050/588

Typed letter from Derek Rawnsley, Picture Hire Ltd, to Paul Nash.TGA 7050/589

Summary of projected plans entitled 'Picture Hire Limited Reorganisation'.TGA 7050/590

Typed letter from Derek L. Rawnsley, School Prints Ltd to Paul Nash, regarding enclosed memorandum and meeting minutes.TGA 7050/591

Minutes of a meeting of the Council of the English Artists' Alliance for 20 October 1938 (plus copy).TGA 7050/592-594

Typed letter from Viscount Hambleden to Paul Nash, turning down the position of President on the English Artists' Alliance.TGA 7050/595

Two lists of points to form the basis of the Constitution of the English Artists' Alliance, one a revised version of the other.TGA 7050/596

List of Artists and/or patrons for the Artists' Alliance.TGA 7050/597

Draft plans for a prospectus of the English Artists' Alliance and 'A Scheme for making the English Provinces partly responsible for the support of contemporary art'.TGA 7050/598

Brief notes in pencil in Paul Nash's hand for the English Artists' Alliance.TGA 7050/599

Memorandum entitled 'What the Alliance can expect of architects' on page 1, and 'What architects can expect of the Alliance' on page 4.TGA 7050/600

Printed memorandum of the 'First British Artists Congress 1937'.TGA 7050/601

Printed circular from the New Society of Art Teachers.TGA 7050/602

Two printed leaflets, 'Code of professional practise for commercial artists' and 'Questionnaire designed to facilitate the establishment of a Code of Fair Practise for the Freelance Commercial artist' prepared by the Society of Industrial Artists and Incorporated Society of Artists in Commerce.TGA 7050/603

Thirty six letters relating to the preparation and publication of Paul Nash's autobiography 'Outline', published in 1949 as 'Outline, An Autobiography and Other Writings'.TGA 7050/604-635

Commission account for 1 October 1934 to 31 March 1935 from Foley China to Paul Nash.TGA 7050/636

Two typed letters from Christina Foyle, Director, W. & G. Foyle Ltd., to Paul Nash, regarding exhibiting some Nash originals in the shop to accompany the Penguin monograph on Paul Nash.TGA 7050/637-638

Letter from MacNeece Foster to Paul Nash regarding Nash's picture 'Dead Sea'.TGA 7050/639

Typed letter from Milner Gray to Paul Nash, regarding Nash signing certificates.TGA 7050/640

Two letters from Kenneth Green, Wellington College, Berks, to Paul Nash.TGA 7050/641-645

Four letters from George Fisher and two from J. Hugh Jones, of the Gregynog Press, to Paul NashTGA 7050/646-653

Typed letter from Richard Carline, Hampsted Artists' Council, to Paul Nash regarding the council's exhibition 'Hampstead Artists Past and Present'.TGA 7050/654

Letter from Roy Harrod, Christ Church College, Oxford, to Paul Nash, regarding temporary honorary membership of the College 'High Table'.TGA 7050/655

Two letters from Billa (Mrs Roy) Harrod to Paul Nash regarding life in Clay Mill, Holt, Norfolk during the war.TGA 7050/656-657

Letter from Marjorie I. Brown, Secretary, Art Exhibition Group, Harrogate Civic Entertainments League, to Paul Nash, inviting Paul Nash to contribute to an exhibition of eight 'distinguished contemporary artists'.TGA 7050/658

Typed letter (duplicated circular letter, with signature and date added in ink) from Philip Hendy, Leeds City Art Gallery, to Paul Nash, inviting Paul Nash to contribute to an exhibition of British Artists in Leeds in 1938.TGA 7050/659

Twelve letters from, or on behalf of, Philip Hendy, Temple Newsam, Leeds, to Paul Nash.TGA 7050/660-671

Three letters and one fragment from Keith Henderson to Paul Nash, regarding their employment as Official War Artists, Paul Nash's operation on his nose, Henderson's paintings and reading, and Paul Nash's success.TGA 7050/672-675

Letter from Stefan Hirsch to Paul Nash, apologising for telephoning Nash unintroduced and on short notice, and explaining his reasons.TGA 7050/676

Two letters from R. Randall Phillip and M. Barrow, both of Homes and Gardens magazine to Paul Nash.TGA 7050/677-678

Typed statement 'for and on behalf of The Imperial Arts League' concerning copyrights.TGA 7050/679

Typed letter from F. Walsh, Secretary, Imperial Arts League, to Paul Nash regarding notes on copyright (TGA 7050/679) and amendments.TGA 7050/680

Imperial Arts League Bulletin, No.8, Spring 1939, incorporating the report of the A.G.M.TGA 7050/681

Typed letter from F. Walsh, Secretary, Imperial Arts League, to Paul Nash regarding ownership of negatives and the Institute of British Photographers.TGA 7050/682

Typed letter from F. Jamieson, Secretary, Imperial Arts League, to Paul Nash regarding reproductions and purchase of copyright.TGA 7050/683

Copy of a letter from Paul Nash to Fennemore, Central Institute of Art and Design, regarding artist's copyright.TGA 7050/684

Two typed letters from F. Jamieson, Secretary, Imperial Arts League, to Paul Nash.TGA 7050/685-686

Minutes of the Meeting of the Central Institute of Art and Design Copyright Committee held at the National Gallery.TGA 7050/687

Statement on copyright and form of transference issued by the Tate Gallery.TGA 7050/688

Statement on 'Copyright and the Artist' issued by the Imperial Arts League, together with envelope.TGA 7050/689

Typed letter from F. Jamieson, Secretary, Imperial Arts League, to Paul Nash regarding copyright and Museum purchases since 1934.TGA 7050/690

Annual Report issued by the Imperial Arts League.TGA 7050/691

Seven letters and one postcard from or on behalf of Sidney Rogerson, Imperial Chemical Industries Limited, to Paul Nash.TGA 7050/692-701

Imperial War Museum list of drawings by Paul Nash, with notations in ink by Nash.TGA 7050/702

Typed letter from Norman Jenkins to Paul Nash, regarding manuscript from Paul Nash, reproduction of photographs and suggestions on Paul Nash's use of verichrome film.TGA 7050/703

Typed letter from Alex Keiler to Paul Nash regarding 'The object 'ready made'', photographs and (The Avebury) stones.TGA 7050/704

Three memorandums of exhibition agreement between Ernest Brown & Phillips, Leicester Galleries, and Paul Nash.TGA 7050/705-708

Four statements of sales of works by Paul Nash from Ernest Brown & Phillips, Leicester Galleries, and three invoices for works on sale or return.TGA 7050/709-715

Typed letter from Oliver Brown, of Ernest Brown & Phillips, Leicester Galleries, to Paul Nash, regarding Nash's decision to 'make arrangements' with another dealer and the reasons behind poor sales of his work.TGA 7050/716

Typed statement of sale of 'Landscape of the Megaliths' by Paul Nash, from Ernest Brown & Phillips, Leicester Galleries.TGA 7050/717

Typed letter from Oliver Brown, of Ernest Brown & Phillips, Leicester Galleries, to Paul Nash, regarding Paul Nash works, sales and requests for works for exhibitions.TGA 7050/718-724

Three statements of sales of work by Paul Nash from Ernest Brown & Phillips, Leicester Galleries.TGA 7050/725-727

Typed invoice with manuscript insertions, from Ernest Brown and Phillips, Leicester Galleries, to Paul Nash, for a work by Salvador Dali 'Melancolia'.TGA 7050/728

Nine typed letters from Oliver Brown, of Ernest Brown & Phillips, Leicester Galleries, to Paul Nash.TGA 7050/729-737

Typed letter from G.R. Levy, Librarian, Society for the promotion of Hellenic Studies, to Paul Nash, regarding enlisting Nash's support for a public appeal for preservation of the environment.TGA 7050/737A

Typed letter from Arthur Stanley McCordock, Professor of History, Lincoln Memorial University, to Paul Nash, requesting an autographed photograph and a letter of tribute for the University's Hall of Holography.TGA 7050/738

Letter from J. R. Ackerley, 'The Listener', to Paul Nash, regarding Nash's war pictures in the National Gallery.TGA 7050/739

Telegram (fragment only) from 'The Listener' to Paul Nash, commissioning him to produce a black and white cover design for 'The Listener'.TGA 7050/740

Typed letter from M. Scott-Johnston, 'The Listener' to Paul Nash, regarding returning Paul Nash's 'D-Day' design.TGA 7050/741

Two typed letters from Desmond Shawe-Taylor, Lund Humphries, to Paul Nash, regarding illustrating a poem by Cecil Day Lewis for a new quartely magazine 'The Arts' published by Lund Humphries.TGA 7050/742-743

Letter from Ursula McCannell to Paul Nash regarding photographs of Ursula's work that were sent to Nash for him to give his opinion on.TGA 7050/744

Letter from Norman McGrath (age 14) to Paul Nash, requesting that Nash offers his signature for Norman's autograph book.TGA 7050/745

Eight typed letters from Manchester City Art Gallery to Paul Nash.TGA 7050/746-755

Letter from Ernest Fred Manfred addressed to 'Mr Pash'(sic) requesting an autograph from the artist.TGA 7050/756

Typed letter from Frederick Marquis to Paul Nash, explaining that Marquis would be too busy to respond to Nash's proposition until back from his travels to South Africa.TGA 7050/757

Letter from Helen Martineau to Mr Parker, regarding a possible connection between Martineau's ancestors and mid-19th century occupants of Paul Nash's Hampstead home.TGA 7050/758

One letter and two postcards from John Massingham to Paul Nash, and one postcard from Massingham to Paul Blomfield.TGA 7050/759-762

Eight letters from F.('Freddy') Hoyland Mayor, founder and Director of the Mayor Gallery, to Paul Nash, letter and list from D. Cooper, Mayor Gallery (TGA 7050/771 and 769), and list of Paul Nash pictures consigned to the Mayor Gallery, in unknown hand (TGA 7050/770).TGA 7050/763-773

Letter from Evelyn Gibbs, Secretary, Midland Regional Designer's Group to Paul Nash, regarding an invitation for Paul to exhibit his work at the 'Holidays at Home Programme', Nottingham, arranged by the M.R.D.G.TGA 7050/775

Letter from 'Hype' (pencil notation, probably in Margaret Nash's hand, identifies sender as Philip Miller) to Paul Nash, regarding his wartime move to Royal Holloway college and other effects of the Second World War.TGA 7050/776

One hundred and ten letters concerning Paul Nash's work as an unofficial War Artist for the Ministry of InformationTGA 7050/777-886

Statements of materials supplied to Paul Nash, by James Newman Ltd, for the attention of the Ministry of Information.TGA 7050/887-890

Typed letter from (?), Managing Director, Brownlee Printing Company London Ltd, to Paul Nash regarding designs for Christmas cards.TGA 7050/891

One typed letter from H.J. Robbins, Manager, and two from A.D.H., James Newman Ltd, to Paul Nash, regarding costs of canvas, oil canvas paper and canvas sizes.TGA 7050/892-894

Letter from W.M. Mollison to Paul Nash regarding treatment for Paul Nash's nose and asthma.TGA 7050/906

Postcard and two letters from Ella Mortimer to Paul Nash regarding 'The Bird Garden'.TGA 7050/907-909

Letter from Hazel Napier to Paul Nash, regarding her husband's painting and sending painting equipment to Ethiopia.TGA 7050/910

Letter from Mrs G. Clark to Barbara Nash conveying personal and family news, particularly about Mr Clark and Mrs Nash's health.TGA 7050/911

Five letters from Barbara (Nash) to (Paul Nash) regarding furniture, effects and an inventory (after their father's death?), mutual acquaintances, personal news and business.TGA 7050/912-916

Five letters from Bernard Nash to Paul Nash regarding their contract, the bombing of Bristol and legal matters concerning Paul Nash's 'title stock'.TGA 7050/917-921

Twenty-four letters and two postcards from J(ohn) N(ash) to (Paul Nash), and one letter from Christine (Mrs John Nash).TGA 7050/922-949

Three letters from Peter Nash to Paul Nash, one a photocopy, regarding Peter's embarkation leave and his travels and life whilst serving in the Second World War.TGA 7050/951-953

Typed letter from Ronald Kidd, Secretary, National Council for Civil Liberties, to Paul Nash, requesting Nash to donate a 'small picture or design' for sale at a charity dance Paul Nash was invited to.TGA 7050/954

Four letters from Olive M. Cook, Supervisor of Publications, National Gallery, to Paul Nash,TGA 7050/955-958

Five typed letters from Lillian Browse, National Gallery, to Paul Nash.TGA 7050/959-964

Nine typed letters from Olive M. Cook, Supervisor of Publications, National Gallery, to Paul Nash.TGA 7050/965-973

Thirteen typed letters from Clare (Neilson) to Paul (Nash).TGA 7050/974-987

Printed postcard, with recipient's name and address added in ink, from the New Europe Group and Atlantic Initiative to Paul Nash.TGA 7050/988

Circular letter from Joseph S. Evans, Chief of London Bureau, Newsweek, to Paul Nash, regarding the inclusion of Nash as a recipient of the limited wartime circulation of 'Newsweek' magazine.TGA 7050/989

Seven letters and one postcard from Eric Newton, art critic and author, to Paul Nash.TGA 7050/990-997

Ten letters and three postcards from Ben [Nicholson] to Paul NashTGA 7050/998-1010

Typed letter from Benedict Nicholson, Lord Chamberlain's Office, to Paul Nash.TGA 7050/1011-1013

Seven letters from Lucy (Norton) to Paul (Nash).TGA 7050/1014-1020

Letter from (Gerry Neil Bale?) of the Opus Press to Paul Nash, regarding the reprint of 'Aerial Flowers' in a section of essays on art, writings and poetry.TGA 7050/1021

Letter from Calvert (Mrs James Osborne) to Paul Nash, discussing America and requesting that Paul and Margaret Nash visit the Osbornes in the States.TGA 7050/1022

Typed letter from Mr A.E. King, Honourary Secretary, Oxford Folk Art Society, to Paul Nash.TGA 7050/1023

Typed letter from David Dean, for the Oxford University English Club, to Paul Nash.TGA 7050/1024

Letter from Charles Paine to Paul Nash, offering his expertise and experience in 'propaganda and the applied Arts' to find work in designing and painting posters in relation to the war effort.TGA 7050/1025

Five typed letters from Hugh Beaumont, Managing Director of The Globe Theatre, and two typed letters from Tyrone Guthrie, to Paul Nash.TGA 7050/1026-32

Twenty-five letters from or on behalf of Eunice E. Frost, Penguin Books Ltd, to Paul Nash, regarding the Penguin monograph on Nash by Herbert Read, as part of the 'MODERN PAINTERS' series.TGA 7050/1033-1064

Two typed letters from Herman Ould, General Secretary of the P.E.N. to Paul Nash, regarding exhibition co-organised by Paul Nash for P.E.N. held at the Leicester Galleries January 1945.TGA 7050/1065-1066

Typed letter from Phyllis Richards for the P.E.N. to Paul Nash, about luncheon to mark the inauguration of an exhibition at the Leicester Galleries.TGA 7050/1067

Typed letter from B. Horovitz, Director, The Phaidon Press, to Paul Nash, regarding miscommunication, the Penguin monograph on Paul Nash and a proposed visit to Oxford.TGA 7050/1068

Three letters from William S. Philip to Paul Nash, regarding purchasing a Paul Nash painting, eventually he bought 'Storm over the Landscape'.TGA 7050/1069-1071

Three typed letters from Anne Scott-James, or her secretary, Woman's Editor, Picture Post, to Paul Nash, regarding an article on Paul Nash and prints by Paul Nash for 'Picture Post'.TGA 7050/1072-1074

Four letters from John Piper to Paul NashTGA 7050/1075-1078

Two letters from Nicholas Polunin to Paul Nash regarding the growing habits of 'twiners' and giving an introduction to Polunin's friend David Angars(?).TGA 7050/1079-1080

Typed letter from Gregorio Prieto to Paul Nash, regarding publishing Prieto's portrait of Paul Nash in his book.TGA 7050/1081

Letter from Margaret G. Rawlins to Paul Nash, regarding her wish to exhibit the paintings of German artist Wolfgang Wolff in her house.TGA 7050/1082

Eight letters from art critic and poet Herbert Read to Paul Nash.TGA 7050/1083-91

List of woodcuts and engravings by Paul Nash, from the Redfern Gallery.TGA 7050/1092-1092A

Two typed letters from A. Knyvett Lee, The Redfern Gallery, to Paul Nash, regarding Paul Nash's works at the Gallery, framing and mounting, and reproducing Paul Nash wood engravings in a book by Malcolm Salaman.TGA 7050/1093-1094

Typed letter from Rex Nan Kivell, The Redfern Gallery, to Paul Nash, re sale price of various print sets from the 'Genesis' series.TGA 7050/1095

Nine statements of account from The Redfern Gallery to Paul Nash.TGA 7050/1096-1109

Typed letter from L.Hanneston, Private Secretary, Redfern Gallery, to Paul Nash and reply from Paul Nash, regarding providing colour prints for an exhibition. Paul Nash was unable to.TGA 7050/1110-1111

Letter from Ala Story, President of the American British Art Center, to Paul Nash requesting to show Paul Nash's work in the Center in New York.TGA 7050/1112

Thirty-two letters from Rex (Nan Kivell) and five letters and two postcards from Erica (Kivell), The Redfern Gallery, to Paul Nash.TGA 7050/1113-1152

Letter from Wilma Rollins to Paul Nash, requesting that they meet next time he is in London.TGA 7050/1153

Two letters from (Richard de Romagnieu) to Paul Nash regarding Nash becoming a member of 'Greek House', and thanking Margaret and Paul for their friendship over the past years.TGA 7050/1154-55

Letter from Peggy Ross to Paul Nash, in response to Nash's letter regarding a missing monograph(?), Ross working at the St Stephen's Service Club with Flander's veterans, and the breakdown of her relationship with (?).TGA 7050/1156

Four letters from John Rothenstein, Director, Tate Gallery, to Paul Nash.TGA 7050/1157-60

Presscutting from the Daily Express, 'A punch on the jaw - from Sir John' regarding John Rothenstein, Director, Tate Gallery, punching art critic and collector Mr Douglas Cooper at the opening of the Dhiaghilev exhibition.TGA 7050/1161

Correspondence from the Royal College of Art to Paul Nash and one letter from Frank Pick to the RCA.TGA 7050/1162-70

Typed letter from K. Luckhurst, Royal Society of Arts, to Paul Nash, inviting him to lecture on the contribution of th fine arts to the 'Post-War home'.TGA 7050/1171

Two letters from Archie (Russell) to Paul Nash regarding meeting a friend of Nash's, photographs of Bernini drawings and recommending a portraitist.TGA 7050/1172-1173

Letter from Janet (Russell) to Paul and Margaret Nash, regarding Nash's book, 'Swans', 'Mansions of the Dead', scenes of fields and 'Jim'.TGA 7050/1174

Two letters from Sir Michael Sadler to Paul Nash regarding the death of (his wife?), Sadler's collection, social arrangements and price for a watercolour sketch.TGA 7050/1175-1176

Letter from Eleanor Scarborough to Paul Nash regarding the loss of 'Ruth's' two pictures which were destroyed in a fire caused by an incendiary bomb.TGA 7050/1177

Letter from Marie Scheikertch to Paul and Margaret Nash regarding Paul's art.TGA 7050/1178

Two letters from Joan Scobie to Paul Nash regarding missed visit, Margaret Nash's health, Paul Nash's childhood, 'Ronnie' and the Nash's flat.TGA 7050/1179-1180

Letter from Ernest Scott to Paul Nash, regarding collection of photographs to show the body in a new and inspiring way.TGA 7050/1181

Typed letter from Mary Scott-Snell to Margaret and Paul Nash, inviting them to visit Kelmscot Manor, Glos.TGA 7050/1182

Two typed letters from John (Carter), Charles Scribner's Sons Ltd, to Paul Nash, regarding the inability to help with Nash's ideas and projects for propaganda publications and remaindering copies of 'Room and Book'.TGA 7050/1183-1184

Forty-eight letters, four postcards and a photograph sent by Richard Seddon to Paul and Margaret Nash.TGA 7050/1185-1237

Letter from Diccon Shaw to Paul Nash, thanking and apologising to Paul Nash for 'taking up so much of your time and energy at Hungerford'.TGA 7050/1238

Letter from (L/M Train?), Secretary to the Publicity Manager, Shell-Mex and B.P. Ltd, to Paul Nash, confirming arrangements for preparing the 'Shell Guide to Dorset'.TGA 7050/1239

Letter from (signature illegible), Rector of Wareham, to Paul Nash, regarding the church mentioned in the Shell Guide to Dorset compiled by Paul Nash.TGA 7050/1240

Typed letter from Ken G. Bilbe to Paul Nash, offering photographs for the Shell Guide to Dorset compiled by Paul Nash.TGA 7050/1241

Printed drawing, signed 'Paul Nash', entitled 'Land 1', and identified by a pencilled notation in Margaret Nash's hand as 'Design for a Shell booklet by Paul Nash'.TGA 7050/1242

Two letters from Dorothy Shuffrey to Paul Nash, regarding 'Brother Paul's' writing about 'Dead Sea', family news and social arrangements.TGA 7050/1243-1244

Twenty-five letters from Lance Sieveking to Paul Nash.TGA 7050/1245-1269

Letter from Sachie (Sacheverell Sitwell) to Paul Nash. Together with Sitwell's resumé of his career, qualifications and publications.TGA 7050/1270

Two letters from Georgia Louise (Mrs Sacheverell) Sitwell to Paul Nash regarding family life and work during the war.TGA 7050/1271-1272

Letter from Victoria Smallpeice to Paul Nash regarding visiting the NashesTGA 7050/1273

Typed letter from C. Hill for Victoria Smallpeice to Paul Nash, regarding Nash's appointment with Mr. Mollison.TGA 7050/1274

Letter from Matthew Smith to Paul Nash, wishing him a happy New Year.TGA 7050/1275

Notices, reports, correspondence, minutes of meetings, and policy statements of the Society of Mural Painters, 1939 - January 1946.TGA 7050/1276

Typed letter from T.A. Fennemore, Secretary, Society of Mural Painters, inviting Paul Nash to join the Society.TGA 7050/1277

Typed letter from K.J. Sommerfeld, of K. J. & A. Sommerfeld Ltd, to Paul Nash.TGA 7050/1278

Letter from Walter D. Southern to Paul Nash, regarding meeting the Nashes in August 1941.TGA 7050/1279

Typed letter from A.L. Stuart Clark, Headmaster, Steyning Grammar School, inviting Paul Nash to send pictures to an exhibition at the school.TGA 7050/1280

Autographed draft of a telegram to Alfred Stiles & Sons Ltd.TGA 7050/1281

Statement of account from Alfred Stiles & Sons Ltd, to Paul Nash.TGA 7050/1282

Typed letter from Charles Flower, of C.A. Stonehill Ltd to Paul Nash, regarding the price of the 'Lawrence photographs'.TGA 7050/1283

Seven typed letters from J.TGA 7050/1284-1290

Letter from Joan Emily Taylor to Paul Nash describing her work and inspirations.TGA 7050/1291

Letter from H. Kathleen Thompson to Paul Nash, regarding buying a Paul Nash reproduction or original.TGA 7050/1292

Typed letter from James Thurber to Paul Nash, regarding possibilities of a Paul Nash show at the Valentine Galleries, New York.TGA 7050/1293

Letter from Francis (Toffrer) to Paul (Nash), regarding Cyprus, teaching at the Royal Naval College and Paul Nash's pipe.TGA 7050/1294

Statement of account from Arthur Tooth & Sons Ltd to Paul Nash.TGA 7050/1295

Letter from Dudley (Tooth) to Paul Nash, regarding contract between Nash and Messrs Tooth with Messrs Alex Reid and Lefevre.TGA 7050/1296

Two letters from Dudley Tooth to Paul Nash, and copy of letter from Nash to Dudley (Tooth), setting out the terms of a working agreement.TGA 7050/1297-1299

Lists of paintings and drawings by Paul Nash on consignment to Arthur Tooth & Sons Ltd, most with manuscript annotations.TGA 7050/1300-1324

Three typed letters from Richard (Smart), Director, Arthur Tooth & Sons Ltd, to Paul Nash, two from Paul Nash to Smart and one from Ledger, Secretary, Arthur Tooth & Sons Ltd, to Paul Nash.TGA 7050/1325-1330

Statements of account from Arthur Tooth & Sons Ltd, to Paul Nash, January-November 1940.TGA 7050/1331-1353

Nineteen letters from Richard (Smart) Director, Arthur Tooth & Sons Ltd, to Paul Nash, and statements of account from Tooth's to Nash January-December 1942.TGA 7050/1354-1386

Thirteen letters from Dudley (Tooth), Arthur Tooth & Sons Ltd and two letters from E.J. Ledger, Secretary.TGA 7050/1387-1405

Thirty one letters from Dudley Tooth, Arthur Tooth and Sons Ltd, to Paul Nash, together with statements of account March-November 1943, and list of owners of Nash works (TGA 7050/1416).TGA 7050/1406-1440

Thirty-seven letters from Dudley (Tooth), Arthur Tooth and Sons Ltd, to Paul Nash.TGA 7050/1441-1488

Ten letters from Richard (Smart), Director, and thirteen letters from Dudley (Tooth), both Arthur Tooth and Sons Ltd, to Paul Nash, together with statements of account from Arthur Tooth and Sons Ltd, January 1945-November 1945.TGA 7050/1489-1520

Twenty-one letters from Richard (Smart), Director, Arthur Tooth & Sons Ltd, to Paul Nash, one to Margaret Nash and two from Dudley (Tooth), together with statements of account January-July 1946.TGA 7050/1521-1549

Two statements of account from Arthur Tooth & Sons Ltd, to the executors of Paul Nash.TGA 7050/1550-1551

Typed document with manuscript annotations, "Paul Nash; Owners of Oil Paintings", on the reverse, manuscript list of watercolours.TGA 7050/1552

Typed document, list of Oils, Watercolours and Collages by Paul Nash, with locations and prices.TGA 7050/1553

List, 'New Pictures since September 1941 at Redfern'.TGA 7050/1554

List with calculations, on postcard headed Arthur Tooth and Sons Ltd.TGA 7050/1555

Circular announcing the war-time arrangements made by the Directors of Arthur Tooth & Sons Ltd.TGA 7050/1556

Twelve letters from 'Lisle' (Claridge de Lisle Trask), to Paul Nash, regarding buying a landscape, or print, by Paul Nash, life during the war, and social arrangements.TGA 7050/1557-1568

Letter from Ralph Tubbs to Paul Nash, regarding reproducing Nash's 'Month of March' in a Penguin book on architecture.TGA 7050/1569

Letter from A.G. Turner to Paul Nash, regarding meeting with Paul and Margaret Nash.TGA 7050/1570

Letter from Paule Vezaley to Paul Nash, returning some photographs to Paul and informing him of the death of Vezelay's father.TGA 7050/1571

Two postcards from Paule Vezelay to Paul Nash, regarding Nash's works in the National Gallery, Vezelay moving to Bristol, and meeting up.TGA 7050/1572-1573

Typed letter (fragment only) from Paule Vezelay to Margaret and Paul Nash, regarding Bristol and his art.TGA 7050/1574

Typed letter from L. Kislova, Board of Directors, 'Voka', The U.S.S.R Society for Cultural Relations with Foreign Countries, to Paul Nash.TGA 7050/1574A

Letter from Helen Welch to Paul Nash, regarding viewing 'Battle over Germany'.TGA 7050/1575

Two letters from Reginald (Wells) to Paul Nash, regarding family news and Paul Nash going to see Wells and his wife.TGA 7050/1576-1577

Circular from A.E. Bacon, Managing Director, International Who's Who, to Paul Nash.TGA 7050/1578

Typed letter from Elmer (?), Editor, The Monthly Supplement to Who's Who in America to Paul Nash, requesting Nash to complete an entry for the supplement.TGA 7050/1579

Typed letter (fragment only) from (Reginald Wilenski) to Paul Nash, regarding slides of Paul Nash works Wilenski will show in his lectures on Modern Art at Bristol University.TGA 7050/1580

Typed letter from T.W. Wingent, Glass Technician and Consultant, to Paul Nash, regarding replacing Paul Nash's inhaler.TGA 7050/1581

Fifteen letters from Percy or Mamie Withers to Paul Nash, and one from Mamie to Margaret Nash.TGA 7050/1582-1597

Typed letter (fragment only) from (?) Wood, Nash & Co., to Paul Nash regarding letter to Mrs Cardew.TGA 7050/1598

Typed letter from (Lord) Woolton, Ministry of Food, to Paul Nash regarding Mr Boston's milk round in Oxford.TGA 7050/1599

Two typed letters from Dennis Raymond, Metropolitan Education Secretary, National Council of Y.M.C.A.'s to Paul Nash, inviting Paul Nash to loan four pictures for a YMCA exhibition in Hounslow.TGA 7050/1600-1602

Typed document and copy 'Proposed Exhibition of the Work of Paul Nash', Oxford 1942.TGA 7050/1603

Letter from (Elly Ledkein? signature unclear) to Paul Nash, regarding some chapters in manuscript form of a book by Paul Nash.TGA 7050/1604

Letter from 'Lisa', to Paul Nash, regarding enlisting Nash as a patron of a War Artists' scheme to be financed by the British War Relief FundTGA 7050/1605

Three letters from 'Scott' to Paul Nash, regarding Scott's desire for a collage by Paul Nash and his purchase of 'The Ghosts'.TGA 7050/1606-1608

Letters between Margaret Nash and Professor C. Abbott, regarding royalties and photographs for the Oxford University Press publication of the letters of Paul Nash and Gordon Bottomley.TGA 7050/1609-1612

Correspondence between Colonel Robert Adeane and Margaret Nash, regarding sale of Paul Nash's 'Night Tide' to Adeane.TGA 7050/1613-1622

Correspondence between Mary (Aiken) and Margaret Nash, mainly regarding their personal lives and social plans.TGA 7050/1623-1630

Typed letter from Margaret Nash to Conrad Aiken, regarding lost letter from Margaret Nash to Aiken, a Paul Nash memorial volume (by Lund Humphries?), 'Outline' (Paul Nash's autobiography) and a contribution to it from Aiken.TGA 7050/1631

Autographed Christmas card from Clarissa Aiken to Margaret Nash, together with envelope.TGA 7050/1632

Seven letters from J.M. Richards, The Architectural Review, to Margaret Nash, and one from Margaret Nash in reply.TGA 7050/1633-1640

Two letters from Martin Armstrong to Margaret Nash and one from Margaret Nash in reply regarding letters from Paul Nash to Armstrong concerning the book of Armstrong stories and Nash illustrations 'Saint Hercules'.TGA 7050/1641-1643

Typed letters from Alfred Yockney, Art Exhibitions Bureau, to Margaret Nash, and two from Margaret Nash in reply, regarding the loan Paul Nash's 'Northern Adventure' to a London Artists Association touring exhibition.TGA 7050/1644-1647

Typed letters from M.B. Bradshaw, Art Exhibitions Bureau, to Margaret Nash, and one reply from Margaret Nash, regarding exhibition of photographs of Paul Nash works and details of the owners of the works.TGA 7050/1648-1652

Typed letters from C.R. Chisman, Organising Director, and typed letters from M.B. Bradshaw, Empire Art Loan Exhibitions Society, to Margaret Nash, and three replies from Margaet Nash. Letters regarding loan of Paul Nash works for an exhibition of 'British Water-Colours 1914-1953' to tour Australia and New Zealand.TGA 7050/1653-1658

Four typed letters from M.B. Bradshaw, Art Exhibitions Bureau, to Margaeret Nash, and two replies from Margaret Nash regarding loan of 'November Moon' for a Corporation of the City of London exhibition 'Trends in British Art 1900-1950'.TGA 7050/1659-1664

Typed letter from Philip James, Director of Art, Arts Council, to Margaret Nash regarding loan of five or six Paul Nash paintings including 'Landscape of the Moon's first Quarter', to '18 British Artists 1939-1945'.TGA 7050/1665

Circular with typed insertions from Philip James, Director of Art, Arts Council, to Margaret Nash regarding hiring fees for 'March Wood, Study One' for the Cosmopolitan Contemporary Drawing exhibition.TGA 7050/1666

Typed letter from Philip James, Director of Art, Arts Council, to Margaret Nash, and five replies from Margaret Nash, re arranging dates and selecting for the Paul Nash Memorial Exhibition at the Tate, 1948.TGA 7050/1667-1675

Correspondence from Philip James, Director of Art, and Gabriel White, Assistant Art Director, both Arts Council, to Margaret Nash and her replies.TGA 7050/1676-1681

Correspondence between Margaret Nash and Steuart Wilson, Music Director, Arts Council, regarding arranging a Memorial Concert for Paul Nash and HM the Queen's attendence at it.TGA 7050/1682-1692

Four typed letters, from Philip James, Director of Art, Arts Council, to Margaret Nash, with one reply and one letter from Anne Popham, Art Assistant.TGA 7050/1693-1698

Correspondence between Margaret Nash and Arts Council employees including Phyllis Snell, PA to Music Director; Steuart Wilson, Music Director; Anne Popham, Art Assistant; Josephine Harrison, Secretary to Steuart;, Philip James, Director of Art, and G.TGA 7050/1699-1721

Three typed letters from Philip James, Director of Art, six from Elizabeth Davison, Assistant Regional Director and two for Gabriel White, Assistant Art Director, all regarding loan exhibition of contemporary art at the 'Mermaid' pub, Birmingham.TGA 7050/1722-1740

Two typed letters from Margaret Nash to Phillip James, Director of Art, Arts Council, and his replies.TGA 7050/1741-1744

Two typed letters from Margaret Nash to Phillip James, Director of Art, Arts Council, and three replies from Philip James regarding return of 'Northern Adventure', 'Archer Overthrown' and 'Snow Sunrise' and Margaret Nash's objections to a proposed British Council exhibition of Paul Nash in Canada and America.TGA 7050/1745-1752

Three letters from Elizabeth Davison, Assistant Regional Director, Arts Council, to Margaret Nash, and one reply from Margaret Nash, regarding the end of the contemporary exhibition in Birmingham and the possible loan of Paul Nash sketchbooks for an illustrated talk.TGA 7050/1753-1756

Correspondence between Margaret Nash and the Arts Council, including Philip James, Director of Art, his secretary Barbara Woodcock and Gabriel White, Assistant Art Director.TGA 7050/1757-1789

Correspondence between Margaret Nash and Philip James, Director of Art, Arts Council, including some letters from and to Gabriel White, Assistant Art Director, Arts Council, (mainly 1951).TGA 7050/1790-1835

Seven typed letters from Philip James, Director of Art, Arts Council, to Margaret Nash, and her replies.TGA 7050/1836-1857

Press cutting from (The Times?) probably 1947, concerning the Arts Council and the achievements of its first years of existence.TGA 7050/1858

Typed letter from Madame G.M. Bailony to Margaret Nash, regarding her visit to London and meeting Margaret Nash.TGA 7050/1859

Letter from Adela J. Bluett-Duncan to Margaret Nash, regarding a 'lovely memento of Paul' and the memorial volume.TGA 7050/1860

Four letters from Anthony Blunt, Courtauld Institute, to Margaret Nash, and three replies from Margaret Nash, regarding possible gift of Margaret Nash's collection of mounted photographs of Paul Nash's work to the Courtauld.TGA 7050/1861-1867

Nine letters from Roger Boulton, Merton College, Oxford, to Margaret Nash, and five letters of reply from Margaret to Roger.TGA 7050/1868-1881

Nine letters from Roger Boulton to Margaret Nash, and six replies from Margaret to Roger.TGA 7050/1882-1898

Typed letter (fragment only) from (?), Bournemouth Arts Club, to Margaret Nash, regarding addition of Paul Nash Dorset paintings to the exhibition 'Paul Nash's Camera'.TGA 7050/1899

Four typed letters from Wilfrid Robertshaw, Director, Bradford Art Gallery and Museums, to Margaret Nash, and four letters from Margaret Nash in reply, regarding loan of two Paul Nash watercolours from Margaret Nash's collection to the Bradford Art Gallery and Museum Jubilee Exhibition.TGA 7050/1900-1907

Three typed letters from H.W. Maxwell, Director City Art Gallery, Bristol, to Margaret Nash, and three replies from Margaret Nash, regarding sale of a Paul Nash watercolour and oil to the Gallery.TGA 7050/1908-1913

Correspondence between Margaret Nash and the British Broadcasting Corporation.TGA 7050/1914-1928

67 letters to Margaret Nash and her replies to Lilian Somerville, Head of Fine Arts and later Director, British Council, and to other staff in the Fine Arts department about the loan of works by Paul Nash to British Council exhibitions and the sale of copies of "Aerial Flowers".TGA 7050/1929-2044

Three letters from J.R.M. Brumwell, 37 Park Street, Mayfair, London, to Margaret Nash, regarding the temporary loss and eventual location of print blocks used for the reproduction of works by Nash.TGA 7050/2045-2047

Five letters from Ed(ward) Burra to Margaret Nash, and one reply from Margaret Nash to Burra.TGA 7050/2048-2052

Bill from Alfred Carlebach, Fine Art Photography, to Mrs Paul Nash.TGA 7050/2053

Three letters from Robert Hogg, Curator of the Carlisle Art Gallery, to Margaret Nash, and two replies from Margaret to Robert Hogg.TGA 7050/2054-2059

Correspondence between Margaret Nash and Desmond Flower, Director, Cassell & Co.TGA 7050/2060-2076

Letter (carbon copy) from Margaret Nash to Lord David Cecil, thanking him for the introductory speech he gave at a Paul Nash exhibition (probably the 'Watercolours and Drawings by Paul Nash' exhibition at Oxford Arts Club, Black Hall, Oxford, February 1949).TGA 7050/2077

Correspondence between Margaret Nash and D.W. Herdman, Curator, Cheltenham Art Gallery, re Margaret's request for catalogues from the 'Retrospective Exhibition' at 'Cheltenham Public Art Gallery', for the Paul Nash Memorial Volume.TGA 7050/2078-2092

Correspondence between the Chiswick Press and Margaret Nash.TGA 7050/2093-2108

Correspondence between F.J. Newbery, The Chiswick Press, and Margaret Nash, regarding the publication of the illustrated essay by Paul Nash, 'Aerial Flowers'.TGA 7050/2109-2152

Two letters from Kenneth Clark to Margaret Nash conveying his sympathies following the death of Paul Nash, and thanking her for the copy of the brochure 'Aerial Flowers' by Paul which Margaret sent to him.TGA 7050/2153-2155A

Two letters from Hilda Colinvaux to Margaret Nash, and one reply from Margaret to Hilda.TGA 7050/2156-2158

Two letters from P.F. Collier to Margaret Nash, and one reply from Margaret to Collier.TGA 7050/2159-2161

Correspondence between Margaret Nash and Gladys Gordon Ives, Contemporary Art Society.TGA 7050/2162-2166

Correspondence between Margaret Nash and Denis Mathews (TGA 7050/2167-70) and Pauline Vogelpoel (TGA 7050/2171-75) of the Contemporary Art Society.TGA 7050/2167-2175

Three letters from Douglas Cooper to Margaret Nash and one reply from Margaret to Douglas, conveying Douglas's sympathies following Paul Nash's death, and expressing Margaret's wish for Douglas to write an article on Paul Nash in 'Horizon' magazine.TGA 7050/2176-2179

Two letters from Brenda Thorn, Editor's Secretary, 'Country Life' magazine, to Margaret Nash, and one reply from Margaret to Brenda.TGA 7050/2180-2182

Three letters from Gordon Craig, one to Herbert Read and two to Margaret Nash, re the Paul Nash autobiography 'Outline' (edited by Herbert Read), supplying letters from Paul Nash to Anthony Bertram for 'Paul Nash.TGA 7050/2183-2186

Correspondence between Margaret Nash and Oliver Simon, Director, Curwen Press.TGA 7050/2187-2197

Letter from Colin Davies to Margaret Nash, "Tuesday", inviting Margaret Nash to lunch.TGA 7050/2198

Typed letter from Margaret Nash to J.P. Corcoran, Mellon National Bank and Trust Company.TGA 7050/2199

Typed letter from Margaret Nash to Homer Saint-Gaudens, Carnegie Institute, reply from Anne Stolzenbach on his behalf and reply from Saint-Gaudens.TGA 7050/2200-2202

Letter from Mary (Doncaster) to Margaret Nash, and reply from Margaret, regarding account of three Paul Nash watercolours and the Paul Nash Memorial Volume.TGA 7050/2203-2204

Eight typed letters from Margaret Nash to Sir David Eccles, and his replies, including two on his behalf from Barbara Walsh his Personal Secretary and R.F. Cunningham, Assistant Private Secretary.TGA 7050/2205-2220

Six typed letters from Mary Grenside, Secretary to Richard de la Mare, Faber & Faber, to Margaret Nash, two letters from Richard de la Mare, and two replies from Margaret Nash.TGA 7050/2221-2230

Correspondence between Margaret Nash and Richard de la Mare, Faber & Faber, including four letters between Margaret Nash and David Bland, Assistant to Richard de la Mare, in his absence.TGA 7050/2231-2250

Correspondence between Margaret Nash and various Faber & Faber staff regarding the layout, illustration, proof reading and publication of Paul Nash's autobiogarphy 'Outline'.TGA 7050/2251-2299

Correspondence between Margaret Nash and Richard de la Mare, David Bland and Mary Grenside, Faber & Faber.TGA 7050/2300-2345

Correspondence between Margaret Nash and Faber & Faber regarding the preparation of 'Fertile Image' a book of Paul Nash photographs published by Faber & Faber, 1951.TGA 7050/2346-2403

Six letters from Margaret Nash to David Bland, Faber & Faber, and five replies from, and on behalf of, David Bland.TGA 7050/2404-2417

Four letters from Margaret Nash to David Bland, Faber & Faber, six replies from Bland and two letters between Margaret Nash and Peter du Sautoy.TGA 7050/2418-2429

Nine letters between Margaret Nash and Faber & Faber, mainly concerning the biography of Paul Nash by Anthony Bertram.TGA 7050/2430-2438

Four copies of typed letters from Margaret Nash to David Bland, Faber & Faber, and four replies from Bland.TGA 7050/2439-2446

Five letters from Margaret Nash to David Bland, Faber & Faber, five replies from Bland, and one from H.E. (Rogers?) at his request.TGA 7050/2447-2457

Typed letter from David Bland, Faber and Faber, to Margaret Nash, regarding Margaret Nash's royalties.TGA 7050/2458

Royalty statements from Faber & Faber Ltd to Margaret Nash for 'Outline' and 'Fertile Image'.TGA 7050/2459

Invoices from Faber & Faber Ltd to Margaret Nash.TGA 7050/2460

Statements from Faber & Faber Ltd to Margaret Nash, including annotations by Margaret Nash.TGA 7050/2461

Letter from A.J.L. McDonnall to Margaret Nash, regarding purchase of 'The Edge of the Marsh' by McDonnell for the Felton Trust and the Melbourne Gallery. Recipient notes: "answered....(Buyer for Felton Trust, Melbourne)".TGA 7050/2462

Five typed letters from Margaret Nash to A.J.L. McDonnell, buyer for the Felton Bequest, and his replies.TGA 7050/2463-2472

Four typed letters from John Roberts, Joint Managing Director, Ganymed Press, to Margaret Nash, and four replies from Margaret Nash, regarding choosing a Paul Nash painting from which to make a saleable colour reproduction.TGA 7050/2473-2480

Three typed letters from Helmut Gernsheim to Margaret Nash, and one reply from Margaret Nash, regarding Gernsheim's request for copies of seven Paul Nash photographic prints for his collection.TGA 7050/2481-2484

Typed letter from Margaret Nash to the Director, Gimpel Fils, regarding receipt of a cheque for two-hundred pounds sterling, payment of Ben Nicholson's 'White Relief' from Paul Nash's collection.TGA 7050/2485

Typed letter (copy) from Margaret Nash to the L.J. Brown, Fine Art Department, Messrs Robert Grant & Son Ltd, regarding Paul Nash's waterrcolour 'Forest of Dean', the (real) Forest of Dean, and the possible sale of 'A Study in Pale Tones' (the preliminary watercolour for the painting 'The Pond').TGA 7050/2486

Two letters from Miss Flora Grierson, Acland Home, Banbury Road, Oxford, to Margaret Nash and reply from Margaret Nash regarding letter in The Times requesting details of Paul Nash works in private hands to be sent to Margot Eates, and Margaret Nash's proposed visit to see Flora Grierson.TGA 7050/2486A

Three letters from Lady Roy Harrod to Margaret Nash and three replies from Margaret, regarding the 'Norwich Exhibition', meeting John Nash, and Margaret Nash's proposal to find a patron in Norwich to buy Paul Nash's 'Night Tide' and present it to the City Art Gallery, Norwich.TGA 7050/2487-2492

Typed letter from F. Jamieson, Secretary, Imperial Arts League, to Margaret Nash, offering condolences to Margaret after Paul's death. Notations in pencil.TGA 7050/2493

Four typed letters from F.Jamieson, Secretary, Imperial Arts League, to Margaret Nash, and four replies from Margaret.TGA 7050/2494-2501

Two typed letters from Margaret Nash to F.Jamieson, Secretary, Imperial Arts League, and one reply from Jamieson regarding subscription fees and the renewal of insurance.TGA 7050/2502-2504

Typed letter (copy) from Margaret Nash to Reginald Blackmore, Imperial Arts League, and reply from Reginald Blackmore, regarding legal advice about a contract between Margaret Nash and Oxford University Film Society for an experimental documentary based on Paul Nash's photographs and the Faber & Faber book 'Fertile Image'.TGA 7050/2505-2506

Correspondence between Margaret Nash and Malcolm Fry, Assistant Secretary, Imperial Arts League, and two letters from Margaret Nash to Reginald Blackmore, Secretary, I.A.L.TGA 7050/2507-2520

Correspondence between Malcolm Fry, Assistant Secretary, Imperial Arts League and Margaret Nash regarding the length of copyright.TGA 7050/2521-2527

Part of a letter from Philip James and one from Bertha James to Margaret Nash conveying their sympathies after Paul's death.TGA 7050/2528

Letter from Philip (James) to Margaret Nash, thanking her for 'the book' (Outline - Paul Nash's autobiography).TGA 7050/2529

Four letters from Margaret Nash to Philip James and three replies from Philip regarding the proposed sale of Paul Nash's 'Encounter of Two Objects' and 'Monkey Tree' to Huddersfield; Margaret's presentation of 1000 mounted Paul Nash photographs and a catalogue to the Victoria and Albert Museum; and Philip James's new job as Director of Waddesdon Manor.TGA 7050/2530-2537

Eight letters from Peter A. Jones to Margaret Nash, and four replies from Margaret, regarding Jones visiting Margaret to see her collection of Paul Nash works, his views on art and architecture and a proposed exhibition of Paul Nash's applied design at the Architectural Association (A.A).TGA 7050/2538-2549

Letter from P.H. Jowett to Margaret Nash, thanking Margaret for a copy of 'Aerial Flowers' and reminiscing about Paul Nash.TGA 7050/2549A

Two letters from Henry Lamb RA to Margaret Nash, and two replies from Margaret , regarding bequesting Rupert Lee's portrait of Paul Nash to the National Portrait Gallery.TGA 7050/2550-2553

Typed letter from Dorothy Nevile Lees to Herbert Read, regarding donating a copy of 'Outline' (Paul Nash's autobiography) to the Gordon Craig collection at the British Institute, Florence.TGA 7050/2554

Letter from Margaret Nash to Dorothy Nevile Lees and reply from Dorothy regarding donating a copy of 'Outline' (Paul Nash's autobiography) to the Gordon Craig Collection at the British Institute, Florence.TGA 7050/2555-2556

Correspondence between Oliver F. Brown, Director, Ernest Brown & Phillips Ltd, Leicester Galleries, London, and Margaret Nash.TGA 7050/2557-2568

Correspondence between Oliver F. Brown, Director, Ernest Brown & Phillips Ltd, Leicester Galleries, London, and Margaret Nash.TGA 7050/2569-2577

Correspondence between Oliver F. Brown, Director, Ernest Brown & Phillips Ltd, Leicester Galleries, London, and Margaret Nash.TGA 7050/2578-2607

Correspondence between Oliver F. Brown, Director, Ernest Brown & Phillips Ltd, Leicester Galleries, London, and Margaret Nash.TGA 7050/2608-2650

Correspondence between Oliver F. Brown, Ernest Brown & Phillips Ltd, Leicester Galleries, London, and Margaret Nash, and one from (P.L.?) Jennings, Secretary, Leicester Galleries, to Margaret Nash (TGA 7050/2671).TGA 7050/2651-2673

Correspondence between Oliver F. Brown, Ernest Brown & Phillips, Leicester Galleries, London, and Margaret Nash.TGA 7050/2674-2707

Correspondence between Oliver F. Brown, Ernest Brown & Phillips, Leicester Galleries, London, and Margaret Nash.TGA 7050/2708-2728

Correspondence between Oliver F. Brown, Ernest Brown & Phillips Ltd, Leicester Galleries, London, and Margaret Nash.TGA 7050/2729-2735

Correspondence between Margaret Nash and Le R.S. Le Roux,TGA 7050/2736-2753

Twelve letters and one telegram from John Lewis to Margaret Nash, and her replies regarding his book 'Graphic Design' featuring a chapter on Paul Nash.TGA 7050/2754-2779

Correspondence between Margaret Nash and E.C. 'Peter' Gregory, Chairman, Lund Humphries, regarding publication of the Paul Nash Memorial Volume, and social arrangements.TGA 7050/2780-2861

Typed letter from Margaret Nash to Katherine MacDonald, expressing her sympathies after the death of Katherine's sister.TGA 7050/2862

Two typed letters from (?), General Secretary, Cercle de la Maison de France, to Margaret Nash and a reply from Margaret Nash regarding membership of the Cercle de la Maison de France.TGA 7050/2863-2865

Correspondence from David Baxandall, Curator/Director, Manchester City Art Gallery, and Margaret Nash.TGA 7050/2866-2898

Correspondence between David Baxandall, Director, Manchester City Art Gallery, to Margaret Nash, regarding loan of Paul Nash's 'Northern Adventure' and 'Eclipse of the Sunflower' to the M.C.A.G. exhibition 'British Painting 1925-1950 First Anthology' 1951.TGA 7050/2899-2920

Five typed letters from Margaret Nash to (S.D. Cleveland) Director, Manchester City Art Gallery, and four replies from Cleveland.TGA 7050/2921-2927

Two letters from Margaret Nash to the Editor, Manchester Guardian, two replies from M.A.L. and A.P. (Wadsworth), Manchester Guardian, regarding the use of a photograph of Paul Nash taken by the paper on the cover of 'Aerial Flowers'.TGA 7050/2928-2931

Typed letter from Enid Marx to Margaret Nash, thanking her for a copy of 'Aerial Flowers'.TGA 7050/2932

Three letters from Jeanne du Maurier to Margaret Nash, and three replies from Margaret Nash, together with a note of du Maurier's address.TGA 7050/2933-2939

Six letters from Freddy Mayor, Mayor Gallery, to Margaret Nash, and eight replies from Margaret Nash, includes one letter from G.F. Wyatt on Freddy Mayor's behalf.TGA 7050/2940-2954

Card from (Mary) McG(rath) to Margaret Nash, regarding the Nashes proposed visit to Dublin.TGA 7050/2955

Christmas Card from Bernard and Nora (Meninsky) to Margaret NashTGA 7050/2956

Letter from Reverend W.M. Merchant, Lecturer in English, University College Cardiff, to Margaret Nash, and reply from Margaret Nash, regarding Merchant's request for permission to reproduce Paul Nash's illustrations from 'Players' Shakespeare' for a book on the illustrations of Shakespeare.TGA 7050/2957-2958

Two typed letters from Margaret Nash to Sir Francis Meynell, one reply from him and one from Miss M. Smith on his behalf, regarding photographing his Paul Nash watercolour 'Bright Cloud'.TGA 7050/2959-2962

Six letters from Bernard C. Middleton to Margaret Nash, and four replies from Margaret, regarding Middleton binding three copies of 'Urne Buriall' for Margaret Nash and Rex Nan Kivell.TGA 7050/2963-2972

Two letters from 'Rookie' (Mrs Miller) to Margaret Nash, thanking Margaret for the 'little book' ('Aerial Flowers'?) and referring to the death of Paul and Mr Miller (?), and her proposed visit to Margaret.TGA 7050/2973-2974

Typed letter from Margaret Nash to D.W. Mitchell, requesting a photograph of Paul Nash's 'Sibury Hill'.TGA 7050/2975

Letter from Leila Mitchell to Margaret Nash and reply from Margaret, regarding photograph of Paul Nash's 'Silbury Hill'.TGA 7050/2976-2977

Five typed letters from Lucia Moholy to Margaret Nash, and three replies from Margaret, together with presscuttings from 'The Times', 7 March 1952 and 28 June 1952, regarding a proposed national museum/collection of photography.TGA 7050/2978-2985

Two letters from (Ella Mortimer) to the Executors of Paul Nash, and to Margaret Nash regarding the return of 'The Bird Garden' loaned to Paul Nash.TGA 7050/2986-2987

Card with Christmas greetings from Cecil Murphy to Margaret Nash.TGA 7050/2988

Typed letter (copy) from Margaret Nash to Cecil Murphy, and reply from Cecil Murphy, regarding selection for the Tate Paul Nash Memorial Exhibition, trustees and Margaret Nash's affairs, social visits and Margaret Nash's intention to go to Saudi Arabia in 1949.TGA 7050/2989-2990

Two postcards, four letters and an envelope from Miss Barbara Nash to Margaret Nash, regarding family news and affairs.TGA 7050/2991-2996

Typed letter from Margaret Nash to Bertie (Herbert Nash) and reply from Herbert regarding ticket for the Paul Nash Memorial concert and book.TGA 7050/2997-2998

Thirteen letters from John Nash to Margaret Nash, and eight replies.TGA 7050/2999-3020

Nine letters from Peter Nash to Margaret Nash, and five replies from Margaret, concerning general family news, social arrangements and Margaret's health.TGA 7050/3021-3034

Three letters from Clare Neilson to Margaret Nash, and two replies from Margaret regarding Margaret's gift of 'Aerial Flowers', Clare Neilson's illness, 'Fertile Image' and 'Paul Nash's Camera' (the Arts Coundil exhibition), the proposeed sale of 'Northern Adventure', 'Laocoèon', 'Sunset' and 'Landscape and the Clouds', the Bertram biography of Paul Nash, and Margaret's financial problems and overdraft.TGA 7050/3035-3039

Letter from Bernard Nash, 1 Alma Road, Clifton, Bristol, to Margaret Nash, regarding Paul's death and funeral (?) arrangements.TGA 7050/3040

Two typed letters from Miss L.M. Heil for Acting Editor, New Universal Encyclopedia, to Margaret Nash, requesting permission to reproduce 'The Pond' as an example of Paul Nash's work under his entry.TGA 7050/3041-3042

Typed letter from Marion E. Underhill, Sunday Department, New York Times, to Margaret Nash, and her reply, regarding payment for the reproduction of Paul Nash's 'Sea Holly' in the New York Times. Together with payment slip.TGA 7050/3043-3045

Two letters from Eric Newton to Margaret Nash, and two replies from Margaret, regarding Newton's forward to the Memorial Exhibition catalogue and invites to the memorial concert and party.TGA 7050/3046-3049

Letter from Ben Nicholson to Margaret Nash and reply from Margaret, regarding sale of Nicholson's 'White Relief', Margaret's financial problems and Paul Nash's death.TGA 7050/3050-3051

Letter from Lucy Norton to Margaret Nash regarding Paul Nash's illness.TGA 7050/3052

Nine typed letters from, or on behalf of, Francis W. Hawcroft, Deputy Curator, City of Norwich Castle Museum, to Margaret Nash, and seven replies from Margaret Nash regarding the loan of Paul Nash's works for the Museum's 1957-8 'Exhibition of Watercolour Paintings by British Artists'.TGA 7050/3053-3068

Eight typed letters from T. Simpson, Director, Municipal Art Gallery, Oldham, to Margaret Nash, and seven replies from Margaret Nash, includes letter to and from Alan Glencross, Deputy Director.TGA 7050/3069-3083

Typed postcard, signed, from E.G. Bowtell, Secretary of Oxford Film Society, to Margaret Nash, and reply from Margaret Nash's secretary, regarding winter membership. TGA 7050/3085 includes pencil notations on reverse.TGA 7050/3084-3085

Typed letter from 'Gerry', Oxford University Press, to Margaret Nash, rejecting a book offered by Margaret Nash.TGA 7050/3086

Typed letter from Geoffrey Cumberlege, Oxford University Press, to Margaret Nash and two replies from Margaret, regarding royalty payments to Margaret Nash for 'Poet and Painter' (a book of the letters of Gordon Bottomley and Paul Nash), and the publication of the book.TGA 7050/3087-90

Two typed letters from Margaret Nash to (John Brown) Publisher to the University, Oxford University Press, and two replies from John Brown, regarding print of Paul Nash's portrait of Gordon Bottomley and Margaret Nash's copy of 'A Stage for Poetry'.TGA 7050/3091-3094

Correspondence from, or on behalf of, Eunice E. Frost, Penguin Books with Margaret Nash.TGA 7050/3094A-3110

Typed letter from Pamela Watson, Editorial Department, Phoenix House Ltd, to Margaret Nash, regarding permission to reproduce Paul Nash's 'Encounter in the Afternoon' in A.C. Ward's 'Enjoying Paintings'.TGA 7050/3111

Two typed letters from Margaret Nash to the Manager and Director, Photo Studies, and one reply from F.C. (Bean?) regarding donating negatives of Paul Nash's works to the Courtauld Institute via Margaret Nash, and supplying prints of 'Landscape of the Vernal Equinox' and 'Landscape of the Megaliths' for Margaret's collection of Paul Nash prints for the Victoria & Albert Museum.TGA 7050/3112-3114

Three typed letters from Heidi Heimann, Picture Post, to Margaret Nash, and two replies from Margaret Nash regarding reproducing Paul Nash's 'The Menin Road', 'Totes Meer', 'Whiteleaf Cross', 'Archer Overthrown' and 'Eclipse of the Sunflower' with an article by Herbert Read in 'Picture Post', to coincide with the Tate Paul Nash Memorial Exhibition.TGA 7050/3115-3119

Two typed letters from Margaret Nash to John Piper, and two replies from John Piper, re fixing the date for the Tate Paul Nash Memorial Exhibition, and requesting a negative or print of 'The Voyage of the Fungus'.TGA 7050/3120-3123

Two typed letters from Margaret Nash to Jeannette Powell (née Rutherston), and a reply from Powell, requesting details of the Paul Nash paintings in her collection.TGA 7050/3124-3126

Typed letter from Margaret Nash, 106 Banbury Road, Oxford, to H. Vernon Clow, Press Portrait Bureau and reply from HVC, regarding portraits of John and Paul Nash for the 'New Encyclopedia'.TGA 7050/3127-3128

Letter from Colonel Richard Pritchard, 12 Evelyn Mansions, London, SW1, to Margaret Nash, and reply from Margaret.TGA 7050/3129-3130

Correspondence between Herbert Read and Margaret Nash, re Paul Nash's autobiography 'Outline'.TGA 7050/3131-3162

Correspondence between Herbert Read and Margaret Nash.TGA 7050/3163-3172

Eight letters from Rex Nan Kivell, Redfern Gallery, to Margaret Nash and three replies from Margaret to Rex.TGA 7050/3173-3182

Three typed letters from Rex Nan Kivell, Redfern Galleries, to Margaret Nash, and three replies from Margaret to Rex.TGA 7050/3183-3188

Two letters from Graham Reynolds, 24 Cheyne Walk, London, SW3, to Margaret Nash, and one reply from Margaret, regarding permission to reproduce Paul Nash's 'Landscape at Penn Pitts' in his 'An Introduction to British Water colour Painting' published by Country Life Ltd.TGA 7050/3189-3191

Typed letter from Margaret Nash to Sir Jasper Ridley, and reply from Ridley regarding presenting E.C. 'Peter' Gregory, Dr Herbert Read, Miss Margot Eates and John Nash to HM The Queen at the Paul Nash Memorial Concert.TGA 7050/3192-3193

Extract from 'Leader Magazine', pp 9-20, 17 January 1948, containing an article on John Rothenstein.TGA 7050/3194

Correspondence between Michael Rothenstein and Margaret Nash, regarding the research, reproductions and text about Paul Nash in Michael Rothenstein's book 'The Imaginative Romantic School in English Painting'.TGA 7050/3195-3219

Seven typed letters from Margaret Nash to Robin Darwin, Royal College of Art, and eight replies from Darwin, together with one from his secretary, Daphne Juden.TGA 7050/3220-3234

Typed letter from Marcus Whitten, Architectural Review to Archibald G.B. Russell, College of Arms, requesting permission to reproduvce some of 'Outline' (Paul Nash's autobiography) in the Review.TGA 7050/3235

Two letters from Archibald Russell, College of Arms, London, to Margaret Nash, and three replies from Margaret, regarding the Paul Nash Memorial Volume, lunch arrangements, Swanage and recreating a Paul Nash photograph of Swanage.TGA 7050/3236-3240

Typed letter from Margaret Nash to Bunty Sartorius, regarding offer of a place to stay in London and photographs (of Avebury?).TGA 7050/3241

Letter from Colonel G. Sartorius, 15 Jubilee Place, Chelsea, London, to Margaret Nash and reply from Margaret, regarding Christmas present from Margaret and a cheque from Bunty (Sartorius).TGA 7050/3242-3243

Six typed letters from Margaret Nash to Messrs Saunders, Gilson & Co. Ltd, and one reply from Gilson & Co. regarding insurance and valuations for Margaret's private collection arranged through the Imperial Arts League.TGA 7050/3244-3254

Typed letters from H.G. Poland Ltd (incorporating Saunders, Gilson & Co.) to Margaret Nash and two letters from Margaret regarding renewal of her insurance and changes to the policy.TGA 7050/3255-3257

Five typed letters from H.A. Schiffer, Eileen's Studio, 40 High Street, Great Missenden, Bucks, to Margaret Nash, and three replies from Margaret.TGA 7050/3258-3265

Letter from Joan Scobie, Greystones, Southwell, Park Road, Camberley, Surrey to Margaret Nash, thanking Margaret for a copy of 'Aerial Flowers'.TGA 7050/3266

Correspondence between Margaret Nash and John Carter, Charles Scribner's Sons Ltd, regarding the sale and value of Paul Nash's original drawings and colour proofs from 'Urne Buriall and the Garden of Cyrus'.TGA 7050/3267-3283

Correspondence between Richard Seddon and Margaret Nash, includes four letters from Marjorie Broadbent, Personal Assistant to Richard Seddon on his behalf, and two replies from Margaret.TGA 7050/3284-3334

Correspondence between Richard Seddon and Margaret Nash concerning Margaret's work for the memory of Paul Nash, sales of paintings, visits, health and personal news.TGA 7050/3335-3376

Typed letter (copy) from Margaret Nash, to Mrs Michael Self, requesting help to trace the owners of Paul Nash works previously owned by Miss Self's father.TGA 7050/3377

Six letters from Conrad Senat, to Margaret Nash, five replies from Margaret and one letter from 'Margaret II' (Conrad Senat's partner) to Margaret Nash.TGA 7050/3378-3390

Letter from Victoria Smallpiece, 365 Woodstock Road, Oxford, to Margaret Nash, giving some details of the Paul Nash water colour she owned.TGA 7050/3391

Letter from Miss Ray Smith, Lochavich, Argyll to Margaret Nash, regarding helping Margaret Nash at home.TGA 7050/3392

Letter from Roger Smith, 138 Lynton Road, London, to Margaret Nash, and reply from Margaret regarding activities of the Oxford University Art Club.TGA 7050/3393-3394

Typed letter from Maynard Ross, Soho Publishers Co., 18 Soho Square, London W1, to Margaret Nash, regarding blocks for a book and prints of Paul Nash works.TGA 7050/3395

Correspondence between Margaret Nash and Mrs P. Hayward, Soho Gallery, regarding the reproduction and copyright of Paul Nash works.TGA 7050/3396-3430

Four letters from Robert Speaight to Margaret Nash, and four replies from Margaret, re Speaight's requested loan of the correspondence between Paul Nash and William Rothenstein, as research for his book on Rothenstein.TGA 7050/3431-3438

Letter from Mrs Vanna Stabb, Cotswell, Long Crendon, Bucks, to Margaret Nash and reply from Margaret Nash regarding sale of Stabb's house and studio in London.TGA 7050/3439-3440

Letter from Vincent Stuart, 'Harvest', to Margaret Nash, and reply from Margaret, re permission to reproduce Paul Nash's ' Mansions of the Dead in Harvest'.TGA 7050/3441-3443

Typed letter from Margaret Nash to Mrs George Swinton, reply from Lady Percy (Mrs Swinton's daughter) and letter from Margaret to Lady Percy, re details and photographs of Paul Nash's 'The Cemetery' and Mrs Swinton's health in old age.TGA 7050/3444-3446

Letter from Geraldine Talbot, 74 Elm Park Road, London, SW3, to Margaret Nash, and reply from Margaret, regarding Talbot's purchase of Paul Nash's 'March Woods'.TGA 7050/3447-3448

Three letters from John Rothenstein, Director, Tate Gallery, London, to Margaret Nash, two drafts and one reply from Margaret Nash, re initial arrangements for the Paul Nash Memorial Exhibition at the Tate.TGA 7050/3449-3456

Six letters from John Rothenstein, Director, Tate Gallery, and three replies from Margarte Nash.TGA 7050/3457-3479

Four letters from Margaret Nash to John Rothenstein, Director, Tate Gallery, five replies from John Rothenstein and one on his behalf from J. Prax, Personal Asistant.TGA 7050/3480-3490

Four typed letters from John Rothenstein, Director, Tate Gallery, to Margaret Nash, and two replies from Margaret regarding reproducing 'Meadow with Copse', 'Winter Sea', 'Monster Field' and 'Landscape of the Vernal Equinox' for John Rothenstein's 'Modern English Painters' Volume II.TGA 7050/3491-3496

Six typed letters from Margaret Nash, to John Rothenstein, Tate Gallery, and three replies from John Rothenstein.TGA 7050/3497-3505

Correspondence between Le R. S. Le Roux, Publications Manager, Tate Gallery and Margaret Nash regarding copyright and reproductions of Paul Nash works at the Tate.TGA 7050/3506-3521

Correspondence between Roderick Thesiger and Margaret Nash.TGA 7050/3522-3532

Two letters from Commander Peter Thornhill, Royal Ordnance Factory, Chorley Lancs, to Margaret Nash, and one reply from Margaret, re meeting at the Tate and Thornhill's book.TGA 7050/3533-3535

Two typed letters from Margaret Nash to James Thurber, and two replies from Thurber, re Paul Nash's death, Margaret's and Thurber's health, financing the Paul Nash Memorial Volume and publishing 'Outline' (Paul Nash's autobiography) in America.TGA 7050/3536-3539

Typed letter from Margaret Nash to the Editor, The Times Publishing Co., requesting owners of Paul Nash works to contact Margaret giving details for the Memorial Volume and requesting friends to contact her about personal letters for a Paul Nash biography.TGA 7050/3540

Four typed letters from the Advertising Department, The Times, to Margaret Nash, regarding In Memoriam insert to be published anually on Paul Nash's birthday.TGA 7050/3541-3547

Two letters from Francis Tolfrer, to Margaret Nash, thanking Margaret for a copy of Paul Nash's article 'Aerial Flowers' and referring to the memorial volume and concert.TGA 7050/3548-3549

Eighteen letters and one telegram from Richard Smart, Director, Arthur Tooth & Sons, London, to Margaret Nash, concerning the sale, loan and movement of various Paul Nash works on sale through Tooth's.TGA 7050/3550-3570

Nineteen letters from Richard Smart, Director, Arthur Tooth & Sons, London, to Margaret Nash, and four replies from Margaret, mainly regarding sales, movemenst and photographing Paul Nash works held at Tooth's.TGA 7050/3571-3597

Twenty-one letters from Richard Smart, Director, Arthur Tooth & Sons, London, to Margaret Nash, and eight replies from Margaret, mainly regarding the sale, movement and photographing of Paul Nash works held at Tooth's.TGA 7050/3598-3628

Three typed letters from Richard Smart, Director, Arthur Tooth & Sons, London, to Margaret Nash, and three replies from Margaret.TGA 7050/3629-3634

Six letters from Margaret Nash to Richard Smart, Arthur Tooth & Sons, and eight replies from Richard Smart, together with a credit slip from Tooth's for sale of 'The Archer Overthrown'.TGA 7050/3635-3648

Correspondence between Richard Smart, Director, Arthur Tooth & Sons, London, and Margaret Nash, concerning the sale, proposed sale, ownership and movement of various Paul Nash paintings.TGA 7050/3649-3664

Typed letter from Margaret Nash, to Dudley Tooth, Arthur Tooth & Sons, and reply from Dudley, re Richard Smart's retired and the future care of Paul Nash's work.TGA 7050/3665-3666

Correspondence between Margaret Nash and Peter Cochrane, Arthur Tooth & Sons regarding the sale/proposed sale, price, exhibition and movement of various Paul Nash paintings.TGA 7050/3667-3690

Correspondence between Arthur Tooth & Sons, London, and Margaret Nash.TGA 7050/3691-3695

Three letters from David Gibbs, Arthur Tooth & Sons, three replies from Margaret Nash and one letter from Margaret to Richard Smart, late of Tooth's.TGA 7050/3696-3702

Three letters from C. L. Trask, Claridge House, London, W1, to Margaret Nash, and one reply from Margaret Nash, thanking Margaret for a copy of Paul Nash's article 'Aerial Flowers' and asking for Margaret's news.TGA 7050/3703-3706

Three letters from James W. Tucker, Bondend, Upton, St Leonards, Gloucester, to Margaret Nash and one reply from Margaret, regarding possible purchase of a Paul Nash work from Margaret for the Laing Art Gallery, Newcastle upon Tyne.TGA 7050/3707-3710

Schedule for the exhibition of works by non-members at the United Society of Artists.TGA 7050/3711

Letter from Paule Vezelay, 60 Redcliffe Square, London, SW10, to Margaret Nash, thanking her for a 'brochure in memory of Paul'.TGA 7050/3712

Typed letters from N. Clark and L. Wall, Victoria Publications, to Margaret Nash, and reply from Margaret, re permission to reproduce Paul Nash's 'Bomber in a Cornfield' in a forthcoming Encyclopedia.TGA 7050/3713-1715

Receipt from James Laver for Director, Victoria and Albert Museum, London, for designs for 'Urne Buriall' and 'Genesis' wood engravings, loaned by Margaret Nash to the V & A.TGA 7050/3716-3717

Six typed letters from Margaret Nash to James Laver, Victoria and Albert Museum, and three replies from Laver.TGA 7050/3718-3726

Correspondence between George Wingfield Digby, Victoria and Albert Museum, and Margaret Nash, largely concerning preparation for Digby's book on symbolism containing a chapter on Paul Nash.TGA 7050/3727-3776

Nine typed letters from Margaret Nash to Arthur Wheen, Victoria and Albert Museum Library, and five replies from Wheen, regarding Margaret's donation of a collection of photographs of Paul Nash paintings to the Victoria and Albert Museum Library.TGA 7050/3777-3790

Letter from Edward Wadsworth, Chairman, Society of Mural Painters, Dairy House, Maresfield, Sussex, to Margaret Nash.TGA 7050/3791

Correspondence between Ralph Fastnedge, Deputy Director, Walker Art Gallery, Liverpool, and Margaret Nash.TGA 7050/3792-3809

Letter from James Wardrop, 30 Trebovir Road, London, SW5, to Margaret Nash, regarding a telegram Margaret sent to him.TGA 7050/3810

Letter from R.L. Watson to Margaret Nash, requesting a contribution from Margaret of an account of the relationship between Paul Nash and Edward Thomas, for Watson's (unpublished?) book 'Memories of Edward Thomas'.TGA 7050/3811-3812

Letter from Marian Wells, The Downs, Calcot, Reading, to Margaret Nash, conveying her sympathies regarding the death of Paul Nash.TGA 7050/3813

Letter from Margaret Nash to Mrs Wheeler-Booth, inviting her to lunch on 9 June 1950, in order to acquaint Mrs Wheeler-Booth with Margaret's friend Mrs Bealey.TGA 7050/3814

Letter from Rosemary White, St Anne's Society, Oxford, to Margaret Nash, and a reply from Margaret's private secretary on her behalf.TGA 7050/3815-3816

Three letters from Reginald Wilenski to Margaret Nash, and two letters of reply from Margaret to Reginald.TGA 7050/3817-3821

Postcard from Julia Withers to Margaret Nash, requesting to stay at Margaret's house, and a reply from Margaret attempting to arrange a date, and discussing a friend from the Victoria and Albert Museum also staying.TGA 7050/3822-3823

Correspondence between David Wolfers, Press Relations, Shell Chemical Company and Margaret Nash.TGA 7050/3824-3833

Typed letter, two fragments only, from O. Michael Chase, Zwemmer Gallery, 26 Litchfield Street, London, to John Nash regarding drawings for a Paul Nash show and John Nash's private view at 'Brown & Phillips' (Leicester Galleries).TGA 7050/3834

Correspondence between Margaret Nash and Michael Chase, Zwemmmer Gallery, regarding the loan, price and sale of Paul Nash paintings at the gallery.TGA 7050/3835-3848

Correspondence between Margaret Nash and O. Michael Chase, Zwemmmer Gallery, regarding the sale, price and movement of various Paul Nash paintings.TGA 7050/3849-3870

Correspondence between Margaret Nash and O.Michael Chase.TGA 7050/3871-3891

Documents relating to Paul Nash and his family.TGA 7050/3892

Presscuttings relating to Paul Nash.TGA 7050/3893-3905

Periodical 'The Oxford Magazine', with article about Paul Nash by Margaret Nash, entitled 'Personal Portrait of Paul Nash'.TGA 7050/3906

Presscutting 'The Fertile Image in Poetry: Hommage to Paul Nash' by Allen Freer, 'Times Educational Supplement'.TGA 7050/3907

Extract from the 'Dictionary of National Biography', 1941-1950, by Myfanwy Piper, on Paul Nash.TGA 7050/3908

Presscuttings relating to Paul Nash, articles by Myfanwy Evans, Geoffrey Grigson and Eric Newton.TGA 7050/3909-3911

Draft article 'Paul Nash' by Herbert Read.TGA 7050/3912

Printed circular advertising 'Landscape of the Vernal Equinox A Lithograph by Paul Nash' to be printed by Curwen Press and issued by the Council for the Encouragement of Music and the Arts.TGA 7050/3913

Typed document for the article 'Landscape of the Vernal Equinox A lithograph by Paul Nash' (see TGA 7050.3913)TGA 7050/3914

Draft article for 'Nostalgic Landscape. Draft article for 'Nostalgic Landscape. Paul Nash', by E.H. Ramsden.TGA 7050/3915

Draft article 'Contemporary British Artists: Paul Nash' by Anthony Bertram, Ernest Benn.TGA 7050/3916

Draft article 'Paul Nash' by Philip Spence, 'The Studio'.TGA 7050/3917

Article 'Paul Nash' by Anthony Bertram 'Architectural Review'.TGA 7050/3918

Eight draft articles about Paul Nash, some with titles inscribed in his hand.TGA 7050/3919

Draft article ('Paul Nash') by John Gould Fletcher 'The Arts' (New York) October 1928.TGA 7050/3920

Draft article ('The Work of Paul Nash') by T.W. Earp, 'Apollo' November 1928. Marked "B" in ink.TGA 7050/3921

Draft article 'An Exhibition of Paintings and Designs' by Paul Nash (foreward by D.W. Herman) for exhibition Cheltenham Art Gallery 7 June - 12 June 1945.TGA 7050/3922

Printed galley proof with autograph corrections of article 'Paul Nash' by Eric Newton.TGA 7050/3923

Transcript of 'The Writings of Paul Nash' a talk recorded for BBC Third Programme, broadcast 10 April 1948, read by Carleton Hobbs.TGA 7050/3924

Transcript for 'The Writings of Paul Nash' a talk recorded for BBC Third Programme, broadcast 10 April 1948, read by Carleton Hobbs (unedited copy).TGA 7050/3925

Transcript for 'The Writings of Paul Nash' a talk recorded for BBC Third Programme, broadcast 10 April 1948, read by Carleton Hobbs.TGA 7050/3926

Draft article 'An "Explorer" in Paint' by Anne Symonds, published in 'London Caling, The Overseas Journal of the B.B.C.' 27 May 1948.TGA 7050/3927

Draft article 'A note on the making of a film about the work of Paul Nash' by Basil Wright, May 1951.TGA 7050/3928

Draft article, Anthony Bertram talking about 'Paul Nash' as broadcast in 'The Critics' programme, 25 April 1948.TGA 7050/3929

Draft article for February issue of 'Vogue' concerning 'Out of Chaos' a film about modern art and artists by Jill Craigie.TGA 7050/3929A

Draft article, 'Paul Nash at the Leicester Galleries', notations in pencil.TGA 7050/3930

Typed document mounted on card, 'Foreward to the collection of photographs and paintings by Paul Nash' by Margaret Nash.TGA 7050/3931

Typed list entitled 'Paul Nash Collection', pencil notations.TGA 7050/3932

Envelope containing four press-cuttings concerning notices of death on 13 January 1953.TGA 7050/3933

Printed article 'The Roman Invasion of Dorset: Vespasian takes Maiden Castle' Illustrated London NewsTGA 7050/3934

Letter (copy) from Anthony Bertram to Miss Lucy Norton, regarding the literary and artistic influences on Paul Nash.TGA 7050/3935

Two illustrations. The New Broadside, No 2 'An Immorality' by Ezra Pound. Published by The Poetry Bookshop.TGA 7050/3936

Exhibition catalogue, 'Watercolours, drawings, collages, and objects by Paul Nash' Redfern Gallery 29 April - 29 May 1937. Illustrated.TGA 7050/3937

Exhibition catalogue, 'Exhibition of recent works by Paul Nash' The Leicester Galleries 19 May - 8 June 1938.TGA 7050/3938

Exhibition catalogue '21st International Biennale Exhibition of Fine Arts, Venice'. 1 June - 30 September 1938.TGA 7050/3939

Exhibition catalogue 'Artists International Travelling Exhibition', No 2 with a foreward by Anthony Blunt.TGA 7050/3940

Exhibition catalogue 'The British Landscape Tradition, 1740-1940'.TGA 7050/3941

Exhibition catalogue 'First ABAC Exhibition' the American British Art Center Inc, New York, January - February 1941.TGA 7050/3942

Exhibition catalogue 'Contemporary British Paintings' Phillips Memorial Gallery, Washington, DC. 23-30 April 1941.TGA 7050/3943

Exhibition catalogue 'New Movents in Art', Leicester Museum and Art Gallery, 23 May - 21 June 1942.TGA 7050/3944

Private view card 'Exhibition of Watercolours', Redfern Gallery.TGA 7050/3945

Exhibition catalogue 'Exhibition of paintings, drawings and designs by Paul Nash', Cheltenham Art Gallery, 7 June - 12 July 1945.TGA 7050/3946

Exhibition guide 'Forty Years of Modern Art - a Selection from British Collections', Institute of Contemporary Arts, 10 February - 6 March 1948, Academy Hall, London.TGA 7050/3947

Private view card, 'Paul Nash's Camera', Arts Council Gallery, London.TGA 7050/3948

Private view card, 'Paul Nash's Camera', College of Art, Landsdowne.TGA 7050/3949

Exhibition catalogue 'Paul Nash: A Private Collection of Watercolours and Drawings', Leicester Galleries, London.TGA 7050/3950

Exhibition catalogue 'The Colletcion of the late Sir Edward Marsh', Leicester Galleries, London.TGA 7050/3951

Exhibition catalogue 'Artists of Fame and of Promise', Leicester Galleries, London.TGA 7050/3952

Exhibition catalogue 'Artists of Fame and of Promise', Leicester Galleries, London.TGA 7050/3953

Exhibition catalogue 'Artists of Fame and of Promise, Part II', Leicester Galleries, London.TGA 7050/3954

Two private view cards 'The Paul Nash Memorial Exhibition', Tate Gallery, London.TGA 7050/3955

Exhibition catalogue 'Exhibition of Paintings by Ben Nicholson', with pencil notations in Paul Nash's hand.TGA 7050/3956

Private view card for 'The First exhibition of prominent British Canadian, American contemporary paintings and sculpture', 9 January - (February) 1941, together with visiting card from Mrs Ala Story, notated in ink.TGA 7050/3957

Private view card 'Exhibition of Contemporary British Paintings' Phillips Memorial Gallery, Washington DC.TGA 7050/3958