Bound volume containing printed music for Italian songs with piano accompaniments by various composers, all published in London unless otherwise indicated. Many have been annotated in pencil. Manuscript list on front cover in Lucy Broadwood's hand and manuscript list inside flyleaf in unknown hand, headed 'Lyne'.

This material is held atSurrey History Centre

  • Reference
    • GB 176 6192/2/11
  • Dates of Creation
    • 19th cent
  • Language of Material
    • Italian
  • Physical Description
    • 1 volume

Scope and Content

Contains the following items:

Six Italian Ariettas composed for Mme Catalani by GG Ferrari (L Lavenu);

Deh pensa che domain, recitativo ed E ben! per mia memoria from La Gazza Ladra by G Rossini (Birchall & Co). On verso of last sheet of music is written in manuscript 'Italian songs only to be accompanied by a [script cut away] Master';

Chi vive amante, Va piu non dirmi, Al men se non possio, Sentir si dire dal caro bene, Amor che nasce con la Speranza, duets by F Blangini (Falkner's Opera Music Warehouse, London and Dublin);

Cara Elisa, Belleza mia cara, arietti by Felice Blangini (Rutter & McCarthy);

O mattutini albori! cavatina in the opera La Donna del Lago by G Rossini (Rutter & McCarthy). Manuscript annotation 'B Broadwood';

Clori la pastorella, arietta by Geronimo Cresscentini (Rutter & McCarthy);

T'abbracio ti stringo mio tenero figlio, from the opera Il Ciro by Rossini (Birchall & Co);

Il bianco, il rosso, il pallido soave gelsomin, conzonetta by Mechele Carafa (Birchall & Co). Manuscript annotation 'B Broadwood';

Tradimi il Caro ben! cavatina sung by Mme Bellochi in Il Tancredi by G Rossini, arranged by MC Mortellari (Falkner's Opera Music Warehouse, London and Dublin);

La Serenade, Barcarole Venitienne, arranged by Mme Gail (Phillipe Petit, Paris);

Una voce poco fa, cavatina from Il Barbiere di Seviglia by Rossini (Chappell & Co);

Abbracciami o Sposo, duet sung by Mme Banti and Signor Viganoni in Elfrida by G Paesiello (Robert Birchall);

Aurora sorgerai, cavatina sung by Signor Curioni, in La Donna del Lago by G Rossini, arranged by CM Sola (Falkner's Opera Music Warehouse, London and Dublin);

El Pescador, cancion favorita en el genero de Polo … composed and dedicated to Duguesa de Hijar, Marguesa de Orani, Condesa de Aranda, by M de Ledesma (Monzani & Hill). Signed 'M de Ledesma';

Ecco il soggiorno oh Dio! e Fra Tante angoscie e palpiti, cavatina sung by Signor Torri in La Cenerentola by Carafa arranged and dedicated to Lady Julia Gore by CM Sola (Birchall & Co);

Quel dirmi o Dio non tamo, recitative, and Eco pietosa, cavatina, in Pietra di Paragone by Rossini (Robert Birchall). Manuscript annotation 'B Broadwood';

Cara Amabile Speranza, cavatina from Il Tancredi, at the King's Theatre, Haymarket, by Rossini (Preston);

Tre Canzonette Italienne dedicated to Signora Carolina Naldi by Frederick Kalkbrenner (Goulding, D'Almaine, Potter & Co);

Vederlo sol Bramo duet in the opera Griselda by Ferdinand Paer, arranged by T Greatorex (Royal Harmonic Institution);

Piu dolci e placide, chorus from Il Tancredi by Rossini (Birchall & Co);

Dolce ne guai ristoro, terzetto from Faniska by Cherubini (The Regent's Harmonic Institution);

Dove Scorre, the celebrated duet sung with unbounded applause by Mr Harrison and Mr Bartleman at the Nobility's and Vocal Concerts, composed by WA Mozart, horn and bassoon parts added by Mr Harrison and Piano accompaniment arranged by Mr Greatorex (The Royal Harmonic Institution). Initialled 'SJ & JB';