Sketchbook

Small artist's sketchbook featuring sketches of Scottish landscapes; 32 single sheets with card covers.

Robert Brydall (10th May 1839-6th April 1907), was a Glasgow-born painter, who worked predominantly as a lithographer and engraver, and taught for many years at Glasgow School of Art, where his students included David Murray, John Lavery, James Paterson and E. A. Walton. In 1889 he published “History of Art in Scotland,” at that time the only book dealing with the subject. It was characterised by the London Quarterly Review as “one of the best and most interesting histories of art ever written.”
He served as a staff member at the School from 1863-1881, during this time he held the following positions: Pupil teacher, Glasgow Government School of Art – 1863; 3rd Master, Glasgow Government School of Art – 1863-1877; and 2nd Master, Glasgow Government School of Art – 1877-1881.
Brydall left GSA to set up a private art school, the St George’s Art School, in Newton Terrace in 1881. It is unclear when the School ceased operating, but it was still being run by him in 1896. He was a regular exhibitor at the Royal Glasgow Institute (1862-1907), and also showed work at the Royal Scottish Academy (1862-1887), as well as the Royal Academy (1906) and the RSW. The subjects of Brydall’s exhibited works included historical genres, landscape, and latterly views of Venice. He also showed a number of fairy subjects, including The Elf Dance (GI, 1871) and Fairy Treasure, (RSA, 1874) as well as works inspired by Shakespeare’s ‘Midsummer Night’s Dream’, such as Bottom, the Weaver (GI, 1871), Titania Enamoured (GI, 1876), and Oberon & Titania (GI, 1894).
Related Material: Please note, GSA Library has digitised the following volumes from its collections related to Robert Brydall:
Cyphers designed for Her Royal Highness Alexandra Princess of Wales:
[url=https://archive.org/details/cyphersdesignedf00bryd]https://archive.org/details/cyphersdesignedf00bryd[/url]

Purchased by GSA from Mr Stewart Grant, July 2013.

Robert Brydall (10th May 1839-6th April 1907), was a Glasgow-born painter, who worked predominantly as a lithographer and engraver, and taught for many years at Glasgow School of Art, where his students included David Murray, John Lavery, James Paterson and E. A. Walton. In 1889 he published “History of Art in Scotland,” at that time the only book dealing with the subject. It was characterised by the London Quarterly Review as “one of the best and most interesting histories of art ever written.”
He served as a staff member at the School from 1863-1881, during this time he held the following positions: Pupil teacher, Glasgow Government School of Art – 1863; 3rd Master, Glasgow Government School of Art – 1863-1877; and 2nd Master, Glasgow Government School of Art – 1877-1881.
Brydall left GSA to set up a private art school, the St George’s Art School, in Newton Terrace in 1881. It is unclear when the School ceased operating, but it was still being run by him in 1896. He was a regular exhibitor at the Royal Glasgow Institute (1862-1907), and also showed work at the Royal Scottish Academy (1862-1887), as well as the Royal Academy (1906) and the RSW. The subjects of Brydall’s exhibited works included historical genres, landscape, and latterly views of Venice. He also showed a number of fairy subjects, including The Elf Dance (GI, 1871) and Fairy Treasure, (RSA, 1874) as well as works inspired by Shakespeare’s ‘Midsummer Night’s Dream’, such as Bottom, the Weaver (GI, 1871), Titania Enamoured (GI, 1876), and Oberon & Titania (GI, 1894).
Related Material: Please note, GSA Library has digitised the following volumes from its collections related to Robert Brydall:
Cyphers designed for Her Royal Highness Alexandra Princess of Wales:
[url=https://archive.org/details/cyphersdesignedf00bryd]https://archive.org/details/cyphersdesignedf00bryd[/url]

Pencil on paper
Dimensions: 148 x 233 (closed book) mm

Published