Technical files

This material is held atBritten Pears Arts Archive

  • Reference
    • GB 1111 EOG/12
  • Dates of Creation
    • 1960s-1981
  • Physical Description
    • 62 files

Scope and Content

The technical files include the following items:

- technical schedules; rehearsal schedules;

- electrics setting, cues and running plots; electrics layouts; master electric board plots;

- sound operators plots; sound cues; stage and sound running plots;

- lighting layouts; lighting plots; lighting cues and running plots; spot settings;

- flying plots; hanging plots; cueing plots;

- stage and set plans; ground plans; orchestra pit layouts and furniture marks plans;

- prop lists; props running plots; property setting lists and plots; prop and set designs;

- property, scenery, wardrobe and electrical inventories; property packing plot; tour inventories;

- chorus and costume breakdowns; costume running orders; wardrobe lists; make up requirements;

- stage management running lists; cast lists; curtain calls and dressing room lists;

- correspondence

Each work file contains some, but usually not all, of the items listed above.

There are files for Britten and non-Britten works as follows;

Mozart: La finta giardiniera 1976

Mozart: La finta giardiniera 1979

Mozart: Idomeneo 1970, 1973 (including programme book material)

Mozart: Magic Flute 1977

Monteverdi: Return of Ulysses 1970 (production not done)

Britten: Curlew River from 1964

Britten: The Prodigal Son 1968

Britten: The Prodigal Son 1968, 1969, 1970 Orford

Britten: Curlew River 1975

Britten: Church Operas 1965, 1969, 1979 Tours, France

Britten: The Burning Fiery Furnace 1979 Tours, France

Britten: Church Operas (ground plans)

Britten: Church Operas (tracing and prints)

Britten: Church Operas (general)

Britten: Church Operas 1967-1970

Britten: Church Operas 1979 Orford

Britten: Curlew River 1975

Britten: The Burning Fiery Furnace 1979

Britten: Curlew River 1979

Britten: Church Operas Tour 1979

Britten: The Beggar’s Opera, The Prodigal Son, A Midsummer Night’s Dream 1967

Britten: Albert Herring 1977

Britten: Death in Venice 1973 (including Edinburgh and Brussels), Death in Venice 1975 (Venice, Brussels, New York, UK), Royal Opera House 1973-1978, 1978

Britten: A Midsummer Night’s Dream 1971

Britten: A Midsummer Night’s Dream 1980

Britten: Paul Bunyan, 1976 (including correspondence with publisher and corrections to vocal score)

Britten: Paul Bunyan, 1976

Britten: Let’s Make an Opera 1965

Britten: Noye’s Fludde 1971

Britten: The Turn of the Screw 1961-1964 (Aldeburgh, Rosehill, Russia)

Britten: The Turn of the Screw 1972 Snape

Britten: The Turn of the Screw 1972-1973

Britten: The Turn of the Screw 1971 Sadler’s Wells

Britten: The Turn of the Screw 1973 Sadler’s Wells

Britten: The Turn of the Screw 1973 Geneva

Britten: The Turn of the Screw 1973 UK Tour

Britten: The Turn of the Screw 1976, Snape

Britten: The Turn of the Screw 1976

Britten: The Rape of Lucretia 1969-1970 Sadler’s Wells, Snape Maltings

Britten: The Rape of Lucretia 1960-1966 (Aldeburgh, Zurich, Edinburgh, Russia, UK Tour)

Britten: The Rape of Lucretia 1963-1969

Britten: The Rape of Lucretia 1963, 1968-1970

Britten: Albert Herring and Purcell: Dido and Aeneas, 1962

Berkeley: Castaway and Walton: The Bear 1967

Minoru Miki: An Actor’s Revenge 1979

Henze: La Cubana 1978

Rossini: Cinderella: 1976, Snape

Gardener: The Visitors, 1972

Williamson: English Eccentrics, 1964

Conrad Susa: Transformations 1978

Weill: Threepenny opera, 1976

Holst: Savitri and The Wandering Scholar 1974

Sullivan: Trial by Jury and Tchaikovsky: Iolanta (as Yolande) 1973

Handel: Acis and Galatea and Mozart: The Impressario 1966

Sadler’s Wells Season 1976

Tour 1977

Purcell: The Fairy Queen 1977-1978

Purcell: King Arthur, 1971

Purcell: The Fairy Queen, 1977-1978 (including Colin Graham’s edited script – typescript with manuscripts edits, 1977)

Puccini: La Rondine

Oliver: Tom Jones 1976 (includes prop designs and drawings, and set plans)

Musgrave: The Voice of Ariadne, 1974 (including correspondence concerning redesigns for Act II)

Access Information

Open

This material is made available under the standard conditions of Britten Pears Arts. Readers will be required to produce proof of identity and to sign a Reader's Undertaking form.