Arnold Ridley Archive

This material is held atUniversity of Bristol Theatre Collection

  • Reference
    • GB 811 AR
  • Dates of Creation
    • 1915 - 1984
  • Name of Creator
  • Physical Description
    • c.325 items (10 boxes)

Scope and Content

Archive of Arnold Ridley OBE (1896 - 1984), the British playwright and actor. Ridley's archive reveals his dual career as both actor and prolific playwright. It includes over thirty original play scripts; over twenty story outlines; and three printed novels based on his plays. His plays included The Ghost Train, The Wreckers, Keepers of Youth, Third Time Lucky, Glory Be-, Tabitha, Easy Money and Beggar My Neighbour, many of which were also made into films. He also wrote and directed two films Royal Eagle (1936) and Doctor Zander (1936).

As an actor, Ridley appeared in countless plays, performing with the Birmingham Rep and later the White Rose Players, where he met his future wife, the actress Althea Parker (1911-2001), as well as appearing in several West End productions. This is reflected by the wealth of programmes, handbills, posters, news cuttings, and production photographs in his archive.

Administrative / Biographical History

Arnold Ridley OBE (1896-1984), the British playwright and actor, is probably best remembered as author of the play The Ghost Train, and for his roles of Private Godfrey in Dad's Army and Doughy Hood in the radio soap The Archers.

Born in Bath in 1896 and educated at Bristol University, Ridley seemed destined to become a stage actor, making his first appearance in a production of Prunella at Bristol’s Theatre Royal in 1914, but, following injuries received during the First World War, he was forced to put his acting career on hold and instead turned to playwriting.

The archive also brings to light the background to Ridley’s most famous play, The Ghost Train. It includes the author’s final typescript version of the script, with annotations in his own hand; his notes on presentations of the play; production photographs; and programmes from numerous performances, including the first performance of the play at Brighton’s Theatre Royal in 1925. In an article published in 1933 he revealed how the terrifying sound effects of the ghostly train were created: "The effect itself was perfectly simple, being merely a judicious mixture of thunder sheets, compressed air, a garden roller, and pieces of sandpaper and wire brushes combined with a kettle-drum"!

Arrangement

Fully catalogued, by function

Access Information

Open

DPA may apply to some records

Conditions Governing Use

Copyright for all Arnold Ridley archive accessions transferred to University of Bristol Theatre Collection by his son, Nicholas Ridley 15/01/2009

Custodial History

Donated by Nicolas Ridley, Arnold Ridley's son.

Accruals

None expected