Typed and hand-written correspondence files; including J Reynolds, Honeyman, Hugh Fraser, Nolde, Stephen Lee, Demarco, J Campbell Brady, Wyndham Lewis and other sample files. Mainly concerning valuations, sales, provenance, etc.
Correspondence
This material is held atGlasgow School of Art Archives and Collections
- Reference
- GB 1694 DC 033/5
- Dates of Creation
- 1983-1997
- Name of Creator
- Physical Description
- 2 archive boxes.
Scope and Content
Administrative / Biographical History
William Hardie is an acknowledged authority on Scottish painting. Born in 1941, he was educated at Ipswich School, Ipswich, England; Glasgow Academy, Glasgow, Scotland; and Glasgow University, where he read modern languages. He was successively: Research Assistant to the Fine Arts Department of Glasgow University; Keeper of Art and then Deputy Director of the Dundee Art Gallery and Museum, Dundee, Scotland; he was also Visiting Lecturer in the History of Art in the French department of Dundee University. He joined Christie's in Scotland and set up the Scottish Pictures Department, which played a major role in the transformation of the international market for Scottish art. He formed William Hardie Ltd , fine art consultants and valuers in Glasgow in 1984, as consultants specializing in Scottish paintings, opening the Washington Gallery in 1986 and the William Hardie Gallery in Glasgow's West Regent Street in 1990. William Hardie has pioneered the renewed interest in Scottish artists such as Orchardson , the Glasgow School, George Dutch Davidson, the Scottish Colourists, Stanley Cursiter, William McCance and Donald Bain, while the younger contemporary Scottish artists have been selectively presented at his gallery. Peter Howson had his first Glasgow solo exhibition there in 1986. Hardie has written numerous articles and catalogues and translated the Larousse Dictionary of Modern Art. His books, Scottish Painting: 1937-1939 (1976) and the subsequent Scottish Painting: 1837 to the Present (1990) are widely acclaimed. William Hardie was a governor of the Glasgow School of Art from 1996, until his death on the 22nd January 2021.
https://www.heraldscotland.com/opinion/19117268.obituary-william-hardie-expert-scottish-art-caused-stir-exhibiting-new-paintings-hockney/
Note
William Hardie is an acknowledged authority on Scottish painting. Born in 1941, he was educated at Ipswich School, Ipswich, England; Glasgow Academy, Glasgow, Scotland; and Glasgow University, where he read modern languages. He was successively: Research Assistant to the Fine Arts Department of Glasgow University; Keeper of Art and then Deputy Director of the Dundee Art Gallery and Museum, Dundee, Scotland; he was also Visiting Lecturer in the History of Art in the French department of Dundee University. He joined Christie's in Scotland and set up the Scottish Pictures Department, which played a major role in the transformation of the international market for Scottish art. He formed William Hardie Ltd , fine art consultants and valuers in Glasgow in 1984, as consultants specializing in Scottish paintings, opening the Washington Gallery in 1986 and the William Hardie Gallery in Glasgow's West Regent Street in 1990. William Hardie has pioneered the renewed interest in Scottish artists such as Orchardson , the Glasgow School, George Dutch Davidson, the Scottish Colourists, Stanley Cursiter, William McCance and Donald Bain, while the younger contemporary Scottish artists have been selectively presented at his gallery. Peter Howson had his first Glasgow solo exhibition there in 1986. Hardie has written numerous articles and catalogues and translated the Larousse Dictionary of Modern Art. His books, Scottish Painting: 1937-1939 (1976) and the subsequent Scottish Painting: 1837 to the Present (1990) are widely acclaimed. William Hardie was a governor of the Glasgow School of Art from 1996, until his death on the 22nd January 2021.
https://www.heraldscotland.com/opinion/19117268.obituary-william-hardie-expert-scottish-art-caused-stir-exhibiting-new-paintings-hockney/
Appraisal Information
This material has been appraised in line with Glasgow School of Art Archives and Collections standard procedures.
Additional Information
Published