Material including scripts, correspondence and ephemera relating to Anatole De Grunwald and Alex De Grunwald and their film and television careers
Anatole de Grunwald and Alex de Grunwald papers
This material is held atUniversity of Dundee Archive Services
- Reference
- GB 254 MS 428
- Dates of Creation
- Mid to late 20th century
- Name of Creator
- Physical Description
- c 39 boxes
Scope and Content
Administrative / Biographical History
Anatole De Grunwald (1910-1967) was born in Saint Petersburg, Russia, the son of a diplomat (Constantin de Grunwald) in the service of Tsar Nicholas II of Russia. He was seven years old when his father was forced to flee with his family to France during the 1917 Bolshevik Revolution. Growing up in France and England, he studied at Gonville and Caius College, Cambridge, where he edited a student magazine, The Europa, and attended the University of Paris (Sorbonne).
Anatole started his career in films by reading scripts for Gaumont-British. He then turned to screenwriting in 1939 for the British film industry and eventually became a producer. Anatole was appointed managing director of Two Cities Films, and later formed his own production company with his brother, Dimitri de Grunwald in 1946.
De Grunwald contributed to the scripts of many of his productions, including The Winslow Boy (1948) and The Holly and the Ivy (1952). Most of his films were British productions, although in the 1960s, invited by MGM, he went to the United States where he produced several films, then returned to England for the remainder of his career. Anatole de Grunwald's final films included The V.I.P.s (1963) and The Yellow Rolls-Royce (1965). He worked in close collaboration with the director Anthony Asquith and the dramatist Terence Rattigan, with whom he made many films.
Alexander De Grunwald (b 1944), son of Anatole, worked mainly on the production side of film, most notably as production manager on Flash Gordon, Ghandi, East is East and Marigold
Source: https://en.wikipedia.org/wiki/Anatole_de_Grunwald
Arrangement
Usually chronological within series.
Access Information
Open for consultation subject to preservation requirements. Access must also conform to the restrictions of the Data Protection Act (2018), General Data Protection Regulation (GDPR, 2018) and any other relevant legislation or restrictions. Clinical information is closed for 100 years.
Note
Anatole De Grunwald (1910-1967) was born in Saint Petersburg, Russia, the son of a diplomat (Constantin de Grunwald) in the service of Tsar Nicholas II of Russia. He was seven years old when his father was forced to flee with his family to France during the 1917 Bolshevik Revolution. Growing up in France and England, he studied at Gonville and Caius College, Cambridge, where he edited a student magazine, The Europa, and attended the University of Paris (Sorbonne).
Anatole started his career in films by reading scripts for Gaumont-British. He then turned to screenwriting in 1939 for the British film industry and eventually became a producer. Anatole was appointed managing director of Two Cities Films, and later formed his own production company with his brother, Dimitri de Grunwald in 1946.
De Grunwald contributed to the scripts of many of his productions, including The Winslow Boy (1948) and The Holly and the Ivy (1952). Most of his films were British productions, although in the 1960s, invited by MGM, he went to the United States where he produced several films, then returned to England for the remainder of his career. Anatole de Grunwald's final films included The V.I.P.s (1963) and The Yellow Rolls-Royce (1965). He worked in close collaboration with the director Anthony Asquith and the dramatist Terence Rattigan, with whom he made many films.
Alexander De Grunwald (b 1944), son of Anatole, worked mainly on the production side of film, most notably as production manager on Flash Gordon, Ghandi, East is East and Marigold
Source: https://en.wikipedia.org/wiki/Anatole_de_Grunwald
Other Finding Aids
Detailed box list available in searchroom
Archivist's Note
Box list by interns Kayleigh Donaldson and Caitlin McDonald, June-July 2018. Fonds level description by Jan Merchant, Senior Archivist, January 2019
Conditions Governing Use
Reproduction is available subject to preservation requirements. Charges may be made for this service, and copyright and other restrictions may apply; please check with the Duty Archivist.
Custodial History
Kept by the family then kept in storage in Axminster by a friend of the family
Accruals
Not expected
Additional Information
Published
Draft
MS 428