Papers of L. Bruce Archer (1922-2005) comprising diaries, correspondence, conference proceedings, memoranda, offprints, lecture notes and other teaching materials. Among the key affiliations of Archer's career, some of the best represented include the Royal College of Art (c1974-2002; his detailed 'daily logs' provide description and analysis of College operations in the 1970s and 1980s), Hochschule fur Gestaltung (c1960), and Ohio State University (1980-90). Documentation of conference proceedings include schedules and printed literature and, in some cases, transcripts of papers delivered. Conferences covered include ICED'81 (1981), Culture.Space.History (Middle East Technical University, 1990) and DATER (1991). Teaching materials include a wide range of lectures from the 1960s to the 1990s, arranged by audience/institution, or subject. The archive also includes a series of VHS videos, prepared for the Indian Institute of Technology (n.d.). The 'hospital bed' project is represented through various tangential papers in different sections of the archive.
L. Bruce Archer archive
This material is held atRoyal College of Art Special Collections
- Reference
- GB 1134 LBA
- Dates of Creation
- 1960-2002
- Name of Creator
- Language of Material
- English
- Physical Description
- 34 boxes
Scope and Content
Administrative / Biographical History
L[eonard] Bruce Archer (1922-2005) was an engineering designer and academic credited with helping to transform the process of design in the 1960s. As research fellow and later professor of design research at the Royal College of Art, Archer argued that design was not merely a craft-based skill but should be considered a knowledge-based discipline in its own right, with rigorous methodology and research principles incorporated into the design process. His initially controversial ideas would become pervasive and influential.
After early training at what is now City University, and a role as guest professor at Hochschule fur Gestaltung, Ulm (1960-1), Archer went on to spend a majority of his career at the Royal College of Art (RCA), London, until his retirement in 1988. From his initial appointment as research fellow within Misha Black's Industrial Design (Engineering) research unit, Archer ascended to head his own Department of Design Research (DDR) for 13 years (1971-84). Archer's innovative methods were first tested on a project in the 1960s to design improved equipment for the National Health Service. One strand of these studies, Kenneth Agnew's proposal for a hospital bed, culminated in the perfection of Agnew's design through a rigorous testing process and the inclusion of systems-level analysis and evidence-based design. The bed went on to become standard issue across the NHS.
Archer's influence extended further through his series of articles in Design magazine in the 1960s, in which he advocated six basic stages of process: programming, data collection, analysis, synthesis, development and communication. In this, he anticipated and described concepts which would later be universally understood by designers in now-familiar terms such as 'quality assurance' or 'user-centred research'. Later successes included the DDR's influential study on the importance of design across the school curriculum (1976); from this the RCA established the Design Education Unit for teachers. The DDR itself was closed - peremptorily in Archer's view - by incoming rector Jocelyn Stevens in 1984. Stevens instead hoped to give Archer College-wide responsibility for embedding research in all departments; to this end Archer was made Director of Research, a post he held until retirement in 1988. In retirement he remained active as president of the Design Research Society, and as a provider of short courses to various institutions, including a return to the RCA to deliver his Research Methods Course over several years.
Arrangement
The archive is organised into five sections:
- (1) Affiliations and posts;
- (2) Lectures and articles;
- (3) Conferences and events;
- (4) Other projects;
- (5) Miscellaneous correspondence and printed matter
Access Information
Items in the collection may be consulted for the purpose of private study and personal research, within the controlled environment and restrictions of the RCA's Archives Room. A small amount of material containing personal data is closed to researchers until further notice.
Acquisition Information
Donated to the Royal College of Art in 2007 by L. Bruce Archer's daughter Miranda Archer.
Other Finding Aids
A handlist/inventory is available from Special Collections, RCA Library. A digital copy of this may be emailed on request. Contact special-collections@rca.ac.uk
Archivist's Note
Prepared by Neil Parkinson, 2013
Conditions Governing Use
Items are made available for the purpose of private study and personal research only. A reader wishing to publish material in the collection should contact the Special Collections Manager, Royal College of Art, in writing. The reader is responsible for obtaining permission to publish from the copyright owner.
Custodial History
This collection of papers, which covers a majority of Archer's career, including his professional posts, affiliations, writings, conferences and teaching materials, was donated to the Royal College of Art in 2007 by Archer's daughter Miranda Archer. It represents the entirety of Archer's professional archive in the family's possession. The archive was subsequently catalogued and made available to researchers from September 2010. Some materials are congruent with papers already held as part of the RCA's College archive, including many reports prepared by DDR students, and other writings by Archer published by the RCA. The Archive of Art & Design separately holds the institutional archive of the DDR, listed as: Royal College of Art, Department of Design Research, records, c.1960-1986.
Accruals
No accruals expected.
Bibliography
Pavitt, Jane Input/Output: Design Research and Systems Thinking in Reeve, Octavia (ed.) The Perfect Place to Grow: 175 Years of the Royal College of Art (Royal College of Art, 2012)