Letters to the art historian Mary Chamot (1899-1993) on her monograph 'Modern Painting in England' (1937) and for an unpublished book on British artists. Contains letters from Eileen Agar, Quentin Bell, David Bomberg, Horace Brodzky, Raymond Coxon, Anthony Devas, Barnett Freedman, Laura Knight, Ben Nicholson, Vivian Pitchforth, Margaret Fisher Prout, Kenneth Rowntree, Gilbert Spencer, P Wilson Steer, Alfred Thornton, Geoffrey Tibble, Julian Trevelyan, Carel Weight
Letters to the art historian Mary Chamot (1899-1993) on her monograph 'Modern Painting in England' (1937) and for an unpublished book on British artists.
This material is held atTate Archive
- Reference
- GB 70 TGA 7135
- Dates of Creation
- 1937-1941
- Physical Description
- 1 folder
Scope and Content
Administrative / Biographical History
Mary Chamot was born in Russia near St. Petersburg. She studied fine art at the St. Petersburg Academy then, after leaving Russia in 1918, at the Slade School of Art. She worked as a relief lecturer at the National Gallery and at the Victoria and Albert Museum (from 1924 to 1939). Skilled in languages, she was Russian interpreter for the Allied Commission in Vienna (1945-49) and an Assistant Keeper at the Tate Gallery from 1949 to 1965. Her other books include `Gontcharova' (Paris, 1972).
Access Information
OPEN
Custodial History
Presented by Mary Chamot in 1971.