NPG - Papers of Sir David Piper

This material is held atNational Portrait Gallery Archive

  • Reference
    • GB 1082 NPG13
  • Dates of Creation
    • 1926 - 1994
  • Name of Creator
  • Language of Material
    • English
  • Physical Description
    • 83 files

Scope and Content

The papers of Sir David Piper consist of the following:

-Personal papers, including typescripts and drafts of autobiography, records relating to employment at the Fitzwilliam Museum, Cambridge and the Ashmolean Museum, Oxford, and photographs.
-Work for external bodies, includes records relating to work Piper did on publications, lectures and broadcasts - including drafts of text.
-Work for the NPG, includes records for projects he was working on and administrative records relating to the running of the Gallery.
-Research, research papers either created or collected by Piper, mostly relating to portraiture.

Administrative / Biographical History

David Towry Piper was born on 21 July 1918 in Wimbledon, Surrey, the second of three sons of Stephen Harvey Piper, later professor of physics at The University of Bristol, and his wife Mary Joyce Caswell.

He was educated at Clifton College, and St Catharine's College Cambridge where he graduated with a first in the modern and medieval languages tripos in 1940. He then joined the Indian army. He was captured in the Malay peninsula in 1942 and spent three years as a prisoner of war in Formosa (Taiwan). In 1945 he married Anne Horatia, daughter of Oliffe Leigh Richmond. They had three daughters and a son.

After the Second World War Piper moved into the museum world. He was given his first job as assistant keeper in the National Portrait Gallery in 1946, when G.M. Young, then a trustee said 'We must keep an eye on that young man; he will go far!' They were prescient words. He became the Gallery's Director in 1964, a post he held until 1967.

Piper's twenty one years at the Gallery were marked by the publication of a pioneering volume in the Gallery's series of catalogues, 'Seventeenth-Century Portraits' (1963) and by the initiation of the 'Concise Catalogue'. The years were also remarkable for a number of exhibitions: Oliver Cromwell, 4 Sep-31 Oct 1958; O Sweet Mr Shakespeare I'll have his picture, 18 Apr-14 Jun 1964 ; and The Winter Queen: Elizabeth Queen of Bohemia and Her Family, 22 Nov 1963-2 Feb 1964. Notable acquisitions made under Piper's Directorship included John Milton (Primary Collection portrait: NPG 4222) and Edmond Halley (Primary Collection portrait: NPG 4393) bought for £45 and £25 respectively.

As a result, and because of his numerous broadcasts, lectures, and articles, attendance figures rose to pass the quarter million mark and the Gallery became one of the attractions of London. Piper also found time to write two outstanding books: 'The English Face' and 'The Companion Guide to London'.

Piper left the National Portrait Gallery to become Director of the Fitzwilliam Museum, and fellow of Christ's Cambridge (1967-1973). In 1973 he became the first Director of the Ashmolean Museum, Oxford, retiring in 1985. He was a member of the Royal Fine Arts Commission (1970–86) and trustee of the Watts Gallery (1966–88), and served on the Paul Mellon Foundation for British Art (1969–70), the Pilgrim Trust (1973–90), and the Leeds Castle Foundation (1981–8).

Piper was a prolific writer. His articles in the 'Financial Times' and elsewhere drew attention to current exhibitions books and affairs in the art world. He also wrote several novels undet the name Peter Towry. He was appointed CBE in 1969, knighted in 1983 and made an honorary DLitt of Bristol University in 1984 and an honorary fellow of the Royal Academy in 1985. Piper died at his home, Overford Farm, Wytham near Oxford on 29 December 1990.

Please note this description is based on R.J.B. Walker, 'Piper, Sir David Towry (1918-1990)', rev. Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, May 2007 [http://www.oxforddnb.com/view/article/39819, accessed 1 Dec 2009]

Access Information

Available to view by appointment in the Heinz Archive and Library Public Study Room, to make an appointment contact Archive Reception . Although records are generally available for public consultation, some information in them, such as personal data or information supplied to the Gallery in confidence, may be restricted.

Other Finding Aids

The complete catalogue for this archive can be searched via the NPG Archive Catalogue .

Conditions Governing Use

Personal photography is permitted for research purposes only. Photocopying is not permitted.

Related Material

Records concerning Piper's work for Exhibitions can be found in the relevant exhibition file (see record series NPG32: Exhibition Case files). Records concerning the acquisition of portraits during his Directorship can be found in the relevant object file (see record series NPG46: Registered Packets).

Several publications by Piper can be accessed in the NPG Library.

Additional papers relating to Piper's tenure at the National Portrait Gallery (and other museums) are held at the Getty Research Institute, California. See accession no. 960020, which includes: correspondence, ca. 1916-1985; ephemera, ca. 1925-1989; and clippings, 1926-1990

Further material - diaries, notebooks and miscellaneous papers including copy of typescript autobiography, dating 1940-90 - is also held at the National Army Museum, Department of Archives Photographs Film and Sound (Document reference: 9406-110, 9411-124)