Papers and correspondence, 1880-1972, of or relating to the artist Gwen John and including letters and diaries, exercise books and other notebooks, and sketches; together with correspondence and other papers relating to the estate of Gwen John, and photographs found amongst her papers after her death.
Gwen John manuscripts,
This material is held atNational Library of Wales / Llyfrgell Genedlaethol Cymru
- Reference
- GB 210 MSGJOHN
- Alternative Id.(alternative) vtls004268014(alternative) (WlAbNL)0000268014
- Dates of Creation
- 1880-1972
- Name of Creator
- Language of Material
- French Welsh Romany Greek English.
- Physical Description
- 47 volumes.
Scope and Content
Administrative / Biographical History
Gwendolen Mary (Gwen) John, painter, was born in Haverfordwest, the elder sister of the artist Augustus John. In 1895 she entered the Slade School of Fine Art in London, where her fellow students included Ursula Tyrwhitt and Ida Nettleship (afterwards wife of Augustus John). In 1904 John settled permanently in Paris. In the same year she met the sculptor Auguste Rodin, with whom she had a stormy relationship. She was introduced by Augustus to the American lawyer and collector John Quinn and his companion Jeanne Robert Foster. Amongst her circle of acquaintances was the revolutionary, feminist and actress Maud Gonne and Dorelia (formerly Dorothy) McNeill, who became Augustus's lifelong companion. In 1913, John was received into the Catholic church and thereafter produced many ecclesiastically-themed paintings. In her later years she formed an attachment to the Russian-Jewish émigré Véra Oumançoff, who lived near John in the Paris suburb of Meudon. It is believed that John ceased to produce any works of art after about 1933. Following John's death her artistic reputation was revived by numerous exhibitions both in Britain and the United States, the first taking place in London in 1946. Her collected works are divided between public collections and the National Museum and Gallery in Cardiff; those of her works owned by John Quinn remained in the United States.
Arrangement
Arranged according to NLW MSS reference numbers: NLW MSS 22155B, 22276-22318, 23508-23510.
Access Information
Readers consulting modern papers in the National Library of Wales are required to abide by the conditions noted on the 'Modern papers - data protection' form issued with their Readers' Tickets.
Acquisition Information
NLW MSS 22276-22318: Mr Ben John and Miss Sara John, son and daughter of Gwen John's nephew Edwin John; Purchase (partly with funding from the National Heritage Memorial Fund); 1984 & 1987
NLW MSS 23508-23510: Mr Ben John, son of Gwen John's nephew Edwin John; Longtown, Hereford; Purchase; 1996
NLW MS 22155B: Sotheby's; London; Purchased at auction, lot 267; 18 December 1985
Note
Gwendolen Mary (Gwen) John, painter, was born in Haverfordwest, the elder sister of the artist Augustus John. In 1895 she entered the Slade School of Fine Art in London, where her fellow students included Ursula Tyrwhitt and Ida Nettleship (afterwards wife of Augustus John). In 1904 John settled permanently in Paris. In the same year she met the sculptor Auguste Rodin, with whom she had a stormy relationship. She was introduced by Augustus to the American lawyer and collector John Quinn and his companion Jeanne Robert Foster. Amongst her circle of acquaintances was the revolutionary, feminist and actress Maud Gonne and Dorelia (formerly Dorothy) McNeill, who became Augustus's lifelong companion. In 1913, John was received into the Catholic church and thereafter produced many ecclesiastically-themed paintings. In her later years she formed an attachment to the Russian-Jewish émigré Véra Oumançoff, who lived near John in the Paris suburb of Meudon. It is believed that John ceased to produce any works of art after about 1933. Following John's death her artistic reputation was revived by numerous exhibitions both in Britain and the United States, the first taking place in London in 1946. Her collected works are divided between public collections and the National Museum and Gallery in Cardiff; those of her works owned by John Quinn remained in the United States.
Title based on contents.
Other Finding Aids
The contents of NLW MSS 21701-22852 are indexed in greater detail in Handlist of Manuscripts in the National Library of Wales, vol. 8 (Aberystwyth, 1999).
Archivist's Note
May 2009.
Description compiled by Bethan Ifans for the retrospective conversion project of NLW MSS. The following sources were used in the compilation of this description: Handlist of Manuscripts in the National Library of Wales, Volume VIII (Aberystwyth, 1999); Handlist of Manuscripts in the National Library of Wales, Volume IX (Aberystwyth, 2003); Oxford Dictionary of National Biography on-line site, viewed 6 May 2009;
Conditions Governing Use
Usual copyright laws apply.
Bibliography
See Ceridwen Lloyd-Morgan, Gwen John Papers at the National Library of Wales, 2nd ed. (Aberystwyth, 1995).
Additional Information
Published
Llyfrgell Genedlaethol Cymru = The National Library of Wales