Five letters, 1942-1943, from the artist and writer David Jones to the art historian and critic Robin Ironside, relating to the preparation of Ironside's illustrated booklet David Jones (Harmondsworth, 1949).
Jones discusses painting from nature and the selection of paintings for the volume. A sketch of a balcony view is on f. 4.
David Jones letters to Robin Ironside
This material is held atNational Library of Wales / Llyfrgell Genedlaethol Cymru
- Reference
- GB 210 NLW MS 23705E.
- Alternative Id.(alternative) vtls004018847(alternative) (WLABNL)P1Saan0000015974(alternative) (WlAbNL)0000018847
- Dates of Creation
- 1942-1943
- Name of Creator
- Language of Material
- English.
- Physical Description
- 5 ff.
Guarded and filed.
- Location
- ARCH/MSS (GB0210)
Scope and Content
Administrative / Biographical History
David Jones (1895-1974) was an accomplished artist who produced watercolours, illustrations and inscriptions, and who also gained acclaim as a poet, especially as the author of In Parenthesis in 1937, and the long prose poem The Anathemata in 1952.
David Walter Jones was born in Brockley, Kent, on 1 November 1895. His mother, Alice Ann née Bradshaw, was from London, and his father, James Jones, was originally from Holywell, Flintshire. He attended the Camberwell School of Art from 1910-1914, and the Westminster School of Art from 1919-1921.
He joined the London Welsh Battalion of the Royal Welsh Fusiliers in 1915 and served as a private with them until 1918. This experience had a profound effect on him, and his first book, In Parenthesis (1937), is an epic war poem which deals with the period he spent in France.
In 1921 he was received into the Roman Catholic Church, adopting Michael as a middle name. This was a defining moment in his life and work. In the same year he met Eric Gill and joined Gill's community at Ditchling, Sussex, where he learnt wood-engraving. In 1924 he became engaged to Petra Gill and often visited the family at Capel y ffin, near Abergavenny. His engagement with Petra was broken off in 1927 and subsequently he never married.
Between 1928 and 1932 he moved around a great deal, producing watercolours and also writing. In 1933 he suffered a breakdown in health and endured repeated periods of ill-health from then onwards. He virtually stopped painting until 1937. In 1937 Faber published In Parenthesis, which T. S. Eliot regarded as 'a work of genius'. He was awarded the Hawthornden prize for it in 1938.
He was based at the parental home at Brockley until his mother's death in 1937. He then lived in Notting Hill, and from about 1946 lived in Harrow on the Hill. In 1970 he fell ill after breaking a bone in his hip and resided at Calvary Nursing Home, Harrow until his death in 1974.
A volume of essays Epoch and Artist was published by Faber in 1959, followed by The Fatigue (1965), The Tribune's Visitations (1969) and The Introduction to The Rime of the Ancient Mariner (1972). The Sleeping Lord (1974) and The Roman Quarry (1981) were published posthumously.
In 1955 he was awarded the CBE, and also the Harriet Monroe memorial prize. In 1960 he was awarded the degree of D. Litt from The University of Wales and became both Fellow of the Royal Society of Literature and a member of the Royal Watercolour Society in 1961. He was awarded the Royal National Eisteddfod of Wales Gold medal in 1964 and the Welsh Arts Council Literature Prize in 1969.
Arrangement
Arranged chronologically at NLW.
Access Information
Readers consulting modern papers in the National Library of Wales are required to abide by the conditions noted on the 'Modern papers - data protection' form issued with their Readers' Tickets.
Acquisition Information
Wolseley Fine Arts; London; Purchase; November 1997; B1997/47.
Note
David Jones (1895-1974) was an accomplished artist who produced watercolours, illustrations and inscriptions, and who also gained acclaim as a poet, especially as the author of In Parenthesis in 1937, and the long prose poem The Anathemata in 1952.
David Walter Jones was born in Brockley, Kent, on 1 November 1895. His mother, Alice Ann née Bradshaw, was from London, and his father, James Jones, was originally from Holywell, Flintshire. He attended the Camberwell School of Art from 1910-1914, and the Westminster School of Art from 1919-1921.
He joined the London Welsh Battalion of the Royal Welsh Fusiliers in 1915 and served as a private with them until 1918. This experience had a profound effect on him, and his first book, In Parenthesis (1937), is an epic war poem which deals with the period he spent in France.
In 1921 he was received into the Roman Catholic Church, adopting Michael as a middle name. This was a defining moment in his life and work. In the same year he met Eric Gill and joined Gill's community at Ditchling, Sussex, where he learnt wood-engraving. In 1924 he became engaged to Petra Gill and often visited the family at Capel y ffin, near Abergavenny. His engagement with Petra was broken off in 1927 and subsequently he never married.
Between 1928 and 1932 he moved around a great deal, producing watercolours and also writing. In 1933 he suffered a breakdown in health and endured repeated periods of ill-health from then onwards. He virtually stopped painting until 1937. In 1937 Faber published In Parenthesis, which T. S. Eliot regarded as 'a work of genius'. He was awarded the Hawthornden prize for it in 1938.
He was based at the parental home at Brockley until his mother's death in 1937. He then lived in Notting Hill, and from about 1946 lived in Harrow on the Hill. In 1970 he fell ill after breaking a bone in his hip and resided at Calvary Nursing Home, Harrow until his death in 1974.
A volume of essays Epoch and Artist was published by Faber in 1959, followed by The Fatigue (1965), The Tribune's Visitations (1969) and The Introduction to The Rime of the Ancient Mariner (1972). The Sleeping Lord (1974) and The Roman Quarry (1981) were published posthumously.
In 1955 he was awarded the CBE, and also the Harriet Monroe memorial prize. In 1960 he was awarded the degree of D. Litt from The University of Wales and became both Fellow of the Royal Society of Literature and a member of the Royal Watercolour Society in 1961. He was awarded the Royal National Eisteddfod of Wales Gold medal in 1964 and the Welsh Arts Council Literature Prize in 1969.
Title based on contents.
Preferred citation: NLW MS 23705E.
Archivist's Note
May 2009.
Description revised by Rhys Morgan Jones;
Conditions Governing Use
Usual copyright laws apply. Information regarding the ownership of David Jones copyright can be found at http://tyler.hrc.utexas.edu/ (viewed May 2009).
Additional Information
Published
Llyfrgell Genedlaethol Cymru = The National Library of Wales