This archive consists of material compiled by the artist, illustrator and teacher Paul Hogarth (1917 - 2001).
The most substantial element of this archive is a series of correspondence and associated material concerning Hogarth's career as an artist, illustrator, writer and teacher (HOG/3). This includes material concerning Hogarth's extensive travels to draw and participate in exhibitions; his political development; his work as a teacher and mentor at the Royal College of Art, London (HOG/3/193 and 194); his work as an art editor for a number of literary magazines (HOG/3/50); his duties as a Royal Academician (HOG/3/192); the display of his work in galleries (particularly the Francis Kyle Gallery, London, HOG/3/90); the production and sale of lithographic prints and a number of publishing projects, both individually and in collaboration with writers such as Brendan Behan (HOG/3/16), Lawrence Durrell (HOG/3/67), Robert Graves (HOG/3/98), Doris Lessing (HOG/3/137) and Peter Mayle (HOG/3/134 and 245). Other correspondents include: Edward Bawden (HOG/3/15); Stephen Spender (HOG/3/220); Quentin Blake (HOG/3/25) and Alan Silitoe (HOG/3/211).
A separate series (HOG/1) consists of material including correspondence, sketch and notebooks concerning Hogarth's collaboration with the writer Graham Greene on the book Graham Greene Country (London: Pavilion, 1986) . Further series contain: material associated with exhibitions Hogarth either participated in or organised (HOG/4); proof copies of book jacket designs from his long lasting association with Penguin Books (HOG/2); notes and copies of articles both by and about Hogarth (HOG/5) and examples of preliminary sketches from a number of projects (HOG/6).
Research potential
The Paul Hogarth archive has research potential in a number of fields but most particularly around the development of book illustration, book cover design and pictorial reportage from the 1950s to 2000. The very full series concerning Graham Greene Country (HOG/1) is a particularly useful case study. It also illuminates the role of artists within left-wing politics, both in the U.K. and internationally, in the 1950s. Paul Hogarth's role as a teacher and mentor is also well represented and figures within the development of a number of important artists and illustrators.