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In 1921, the letter-cutter, sculptor, artist and writer Eric Gill founded an arts and crafts colony in Ditchling, East Sussex. Known as The Guild of St Joseph and St Dominic, it was a unique experiment in communal life in the early twentieth century, and survived until 1989. Earlier, in 1912 Edward Johnston, celebrated as the founder of modern calligraphy, moved to Ditchling. Johnston had taught and inspired Eric Gill at the Central School of Arts and Crafts, London and had a deep and lasting influence on the revival of 20th century calligraphy. The hand-weaver Ethel Mairet set up her weaving workshop Gospels at around the same time (1917 - 1920) doing the same for weaving as Johnston achieved for calligraphy. Her workshop attracted large numbers of students, including the renowned and innovative weaver Peter Collingwood. Photo left : Ethel Mairet's workgirls and apprentices at her 'Gospels' workshop, Ditchling, in the 1930s.
The Crafts Study Centre collections are especially rich in the work of Edward Johnston (1872-1944) and Ethel Mairet (1872-1952). These include both objects and supporting paper archives. The Edward Johnston paper archive includes some 870 items ranging from diaries and notebooks, correspondence, class sheets, blackboard demonstrations and letters, to books and essays by Johnston and others. Works by Edward Johnston include over 200 pieces such as broadsides, trials, finished drafts, manuscripts, books and posters. They date from as early as 1898 and include prints of some of Johnston’s famous designs for the London Underground. Photo left: Edward Johnston (1872-1944)
The Ethel Mairet collections are extensive and encompass hand woven lengths and lengths, experimental samples demonstrating weaving techniques and the use of natural dyes, published works on spinning, weaving and dyeing and a large collection of ethnic textiles from across the world amassed for her inspiration and enjoyment. An extensive paper archive including personal documents, travel journals, correspondence, material relating to exhibitions of Gospels' work, accounts and order books, photographs and lecture notes contextualizes Mairet’s life and work. Photo right: Ethel Mairet (1872-1952)
The Centre also holds a small Eric and Macdonald Gill archive consisting of drawings and designs for greetings cards from the family, photographs of Eric Gill's sculptures and lecture notes. A garden roller made of stone for Ethel Mairet's garden at Gospels and inscribed by Eric Gill also forms a part of the collections.
- Jean Vacher, Collections Manager, Crafts Study Centre, University for the Creative Arts
Links are provided to records on Copac for these items. Copac is the free, web based national union catalogue, containing the holdings of many of the major university and National Libraries in UK and Ireland plus a number of special libraries. For more information about accessing items see the FAQs on the Copac website.